"Puzzle Piece No. 5" by Andreas Schmidt, Thomas Heberer, Samuel Rohrer had its release date on September 1, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Schmidt, Andreas: Pieces for a Husky Puzzle". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Puzzle Piece No. 5 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puzzle Piece No. 5 by Andreas Schmidt, Thomas Heberer, Samuel Rohrer having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lohengrin, WWV 75, Act I Scene 3: Nun sei bedankt, mein lieber Schwan! - Wenn ich im Kampfe für dich siege | Richard Wagner, Cheryl Studer, Siegfried Jerusalem, Kurt Moll, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | F Minor | 6 | 4A | 138 BPM | ||
| Johannes-Passion, BWV 245, Pt. 2: XXI. Zerfließe, mein Herze (Aria) | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields | D Major | 1 | 10B | 70 BPM | ||
| Aaria, Herrani, Oletko | Joose Vähäsöyrinki | C Minor | 1 | 5A | 76 BPM | ||
| Stabat Mater: Stabat Mater: II. Cujus animam gementem | Francis Poulenc, Cappella Amsterdam, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Daniel Reuss | B♭ Minor | 3 | 3A | 184 BPM | ||
| Ich lebe, mein Herze, zu deinem Ergotzen, BWV 145: Aria. Merke, mein Herze, bestandig nur dies (Bass) | Johann Sebastian Bach, Costanza Cuccaro, Adalbert Kraus, Andreas Schmidt, Gächinger Kantorei Stuttgart, Württembergisches Kammerorchester Heilbronn, Helmuth Rilling | D♭ Major | 1 | 3B | 84 BPM | ||
| Oidípous Týrannos: IV. Éxodos/Schlusschor | Conrad Steinmann, Ensemble Melpomen, Raitis Grigalis, Daniel Issa, Andreas Schmidt | F Major | 1 | 7B | 132 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 6, O du Zuflucht der Elenden | Carl Loewe, Arcis-Vocalisten Munich, L'Arpa Festante Baroque Orchestra, Thomas Gropper | B♭ Major | 1 | 6B | 84 BPM | ||
| Hail! bright Cecilia, Z. 328: II. Hail! Bright Cecilia! | Henry Purcell, Collegium Vocale Gent, Philippe Herreweghe, Susan Hamilton, Siri Thornhill, Robin Blaze, Martin van der Zeijst, Mark Padmore, Jonathan Arnold, Jonathan Brown, Peter Harvey | D♭ Major | 1 | 3B | 73 BPM | ||
| Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: Sequence No. 6: Lacrimosa dies illa (completed by R. Levin) [Completed by R. Levin] | Wolfgang Amadeus Mozart, Christiane Oelze, Ingeborg Danz, Scot Weir, Andreas Schmidt, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | D Minor | 0 | 7A | 144 BPM | ||
| Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
| St. John Passion, BWV 245: Pt. II: Chorale. Ach Herr, lass dein lieb Engelein (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 133 BPM | ||
| Mass in B Minor, BWV 232: Et resurrexit (Chorus, Soprano, Alto, Tenor, Bass) | Johann Sebastian Bach, Sibylla Rubens, Juliane Banse, Ingeborg Danz, James Taylor, Andreas Schmidt, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Minor | 2 | 5A | 128 BPM | ||
| Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
| Schubert: Der Alpenjäger, Op. 13 No. 3, D. 524 | Franz Schubert, Christoh Prégardien, Andreas Staier | C Major | 2 | 8B | 172 BPM | ||
| Requiem in C Minor, MH 155: II. Sequenz: Dies irae | Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Peter Harvey, Choir of The King's Consort, The King's Consort, Robert King | D♭ Minor | 2 | 12A | 65 BPM | ||
| Great Mass in C Minor, K. 427: V. Agnus Dei: Dona nobis pacem | Wolfgang Amadeus Mozart, Traditional, Jordi Savall, Le Concert Des Nations | C Major | 2 | 8B | 172 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Introitus et Kyrie | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 90 BPM | ||
| Messiah, HWV 56: Part 3: I know that my Redeemer liveth (Air) | Nikolaus Harnoncourt | E♭ Major | 1 | 5B | 56 BPM | ||
| Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
| Haydn: Mass in B-Flat Major, Hob. XXII:10 "Heiligmesse": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
| Weinen, Klagen (Chorus) | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 64 BPM | ||
| Requiem, Op. 148: Dies irae | Robert Schumann, Eva Andor, Katalin Szőkefalvi-Nagy, Zsuzsa Barlay, Gyorgy Korondy, József Gregor, Budapest Chorus, Hungarian State Orchestra, Miklós Forrai | A♭ Major | 0 | 4B | 76 BPM | ||
| Schmücke Dich, O Liebe Seele, BWV 180: I. Schmücke Dich, O Liebe Seele (Chor) | Johann Sebastian Bach, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Christophe Coin, Gotthold Schwarz | G Major | 2 | 9B | 85 BPM | ||
| 6 Gesänge, Op. 6: No. 1, Spanisches Lied | Johannes Brahms, Juliane Banse, Andreas Schmidt, Helmut Deutsch | A Minor | 0 | 8A | 72 BPM | ||
| Missa solemnis in D Major, Op. 123: Gloria. In gloria Dei Patris | Ludwig van Beethoven, Pamela Coburn, Florence Quivar, Aldo Baldin, Andreas Schmidt, Helmuth Rilling, Bach-Collegium Stuttgart, Gächinger Kantorei Stuttgart | A Major | 1 | 11B | 72 BPM |