Variations on a Rococo Theme, Op. 33, TH 57: Variazione IV: Andante grazioso by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra Song Details

"Variations on a Rococo Theme, Op. 33, TH 57: Variazione IV: Andante grazioso" by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra had its release date on January 1, 1997. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Tchaikovsky: Rococo Variations; Souvenir de Florence; Lensky's Aria From "Eugen Onegin"; Nocturne In D Minor (From Op. 19, No. 4); Andante Cantabile, Op. 11". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. In terms of popularity, Variations on a Rococo Theme, Op. 33, TH 57: Variazione IV: Andante grazioso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Variations on a Rococo Theme, Op. 33, TH 57: Variazione IV: Andante grazioso by Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.

Music Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -26.561 dB
Acousticness: 98%
Danceability: 30%
Energy: 3%
Instrumentalness: 81%
Liveness: 10%
Loudness: 56%
Speechiness: 5%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes	Alexander Borodin, Anima Eterna, Jos Van Immerseel	A Major	0	11B	87 BPM
Elfentanz, Op. 39 - Dance of the Elves	David Popper, Metamorphose String Orchestra, Pavel Lyubomudrov, Mikael Samsonov	G Major	4	9B	96 BPM
Giselle: No. 21 - Andante	Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra	E♭ Major	0	5B	73 BPM
Vivaldi: The Four Seasons, Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": III. Presto	Antonio Vivaldi, Itzhak Perlman, Israel Philharmonic Orchestra	G Minor	4	6A	136 BPM
Vivaldi: La stravaganza, Violin Concerto in E Minor, Op. 4 No. 2, RV 279: I. Allegro	Antonio Vivaldi, Europa Galante, Fabio Biondi	E♭ Minor	3	2A	109 BPM
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto	Ludwig van Beethoven, Paul Lewis	D♭ Minor	0	12A	172 BPM
Don Quixote: Act III: Coda	Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov	G Major	3	9B	75 BPM
In Autumn, Op. 11	Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi	A Minor	1	8A	109 BPM
Swan Lake, Op. 20 (Mariinsky Version), Act II: No. 19a, Pas de deux: Intrada. Tempo di valse	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev	D Major	1	10B	120 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne. Allegretto molto moderato	Gabriel Fauré, Berliner Philharmoniker, Daniel Barenboim	E♭ Major	0	5B	56 BPM
Serenade in C Major, Op. 48: I. Pezzo in forma di Sonatina	Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont	C Major	3	8B	112 BPM
Carnival of the Animals, R. 125: Aquarium	Camille Saint-Saëns, Arthur Fiedler, Leo Litwin, Samuel Lipman, Martin Hoherman, Boston Pops Orchestra	A Minor	0	8A	136 BPM
Eugene Onegin (Lyrical scenes in three acts) (Act 1): Introduction	Pyotr Ilyich Tchaikovsky, Emil Tchakarov, Sofia Festival Orchestra	G Minor	0	6A	131 BPM
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7	Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin	A Major	0	11B	87 BPM
Fantasia in D Minor, K. 397	Wolfgang Amadeus Mozart, Alfred Brendel	D Major	0	10B	126 BPM
Lohengrin, Act III: Prelude	Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz	G Major	2	9B	94 BPM
Bizet: Carmen: No. 1 Prélude	Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff	D Minor	3	7A	129 BPM
Romeo and Juliet, Op. 64 - Act 1: The Fight	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	C Major	4	8B	108 BPM
Warsaw Concerto	Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff	B Major	1	1B	76 BPM
The Firebird (L'oiseau De Feu) - Suite (1919): Finale	Igor Stravinsky, Orchestre de l'Opéra National de Paris, Myung-Whun Chung	E Major	2	12B	78 BPM
Hungarian Dance No.1 in G minor - Orchestrated by Brahms: Allegro molto	Johannes Brahms, Chicago Symphony Orchestra, Daniel Barenboim	G Minor	2	6A	65 BPM
Waltz No.2	Cihat Aşkın	G Major	8	9B	85 BPM
Polovetsian Dances from Prince Igor: Introduzione	Alexander Borodin, George Szell, The Cleveland Orchestra	A Major	1	11B	83 BPM
Kaiser (Emperor), Op. 437 : Kaiser Walzer (Emperor Waltz), Op. 437	Strauss Festival Orchestra, Johann Strauss II	C Major	0	8B	181 BPM
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille	Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González	G Minor	0	6A	66 BPM