M.D. Ramanathan, T. N. Krishnan, Vellore G. Ramabhadran's ' "Maname Ramanai - Sindhubhairavi - Misra Chapu - Live" was released on its scheduled release date, July 9, 2018. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in M.D. Ramanathan, T. N. Krishnan, Vellore G. Ramabhadran's "M.D. Ramanathan - Live in Concert" album is number 10 out of 12. On top of that, India appears to be the country where this track was created. Based on our statistics, Maname Ramanai - Sindhubhairavi - Misra Chapu - Live's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Maname Ramanai - Sindhubhairavi - Misra Chapu - Live by M.D. Ramanathan, T. N. Krishnan, Vellore G. Ramabhadran to be Allegro (fast, quick, and bright) because the track has a tempo of 153 BPM, a half-time of 76BPM, and a double-time of 306 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sri Dattatreya Prarthana Chathuskam | Bombay Sisters | F♯ Major | 4 | 2B | 132 BPM | ||
| Smara Janaka Subhacharita | M.D. Ramanathan | G Major | 2 | 9B | 147 BPM | ||
| Bajana Seyave | Traditional, M.D. Ramanathan | D Major | 3 | 10B | 186 BPM | ||
| Shanivaara Banthamma | Puttur Narasimha Nayak, B. R. Chaya, K.S. Surekha, R. Shamitha | A Major | 5 | 11B | 122 BPM | ||
| Hanumantha Pahi | Narasimha Naik | A♭ Major | 4 | 4B | 171 BPM | ||
| Kandha Swamiyae | Pithukuli Murugadas | C Minor | 5 | 5A | 159 BPM | ||
| Adivo Alladivo | B.Ramana | G Minor | 8 | 6A | 99 BPM | ||
| Viriboni Bhairavi Atatala | M.D. Ramanathan | B♭ Major | 7 | 6B | 143 BPM | ||
| Ale Ale Yaagi Kelide | B.K. Sumitra | F♯ Major | 5 | 2B | 82 BPM | ||
| Shakthi Sahitha Ganapathi | Kadri Gopalnath | B♭ Major | 7 | 6B | 169 BPM | ||
| Maamalai Sabariyilae Manikandan | Veeramani Raju | A Major | 5 | 11B | 97 BPM | ||
| Sri Subramanya - Kamboji - Rupakam | Palghat T.S.Mani Iyer, M.D. Ramanathan, T. N. Krishnan, Swaminatha Pillai | A♭ Major | 3 | 4B | 82 BPM | ||
| Maangaadu (Muthumaari) | L. R. Eswari | C Minor | 8 | 5A | 102 BPM | ||
| Mokshamugalada Raga Saramati Tala Adi | Traditional, M.D. Ramanathan | G Major | 2 | 9B | 147 BPM | ||
| Piriki Hodibeda | Basamma Hiremath | F Minor | 8 | 4A | 121 BPM | ||
| Sreeranga | Mahanadhi Shobana | D Major | 4 | 10B | 171 BPM | ||
| Shubhamulanosage Maa Inta | Gopi Kapurnima, Vijaya Lakshmi Sharma, Purushothama Sai, Ponduri | E Minor | 6 | 9A | 169 BPM | ||
| Thunga Theeravirajam | Radha Thandaveshwar, Rama Sadashiv | A♭ Minor | 6 | 1A | 86 BPM | ||
| Kaithala Niraikani - Thirupugazh | Bombay Sisters | F♯ Major | 6 | 2B | 160 BPM | ||
| Maganondu Hadadenalla | Ravindranath Desai | F♯ Minor | 6 | 11A | 99 BPM | ||
| Atthe Maava Gange | Veerabhadra S. Soundi, Sujatha Dutt, Puttur Narasimha Nayak, Surekha, Pallavi, B. R. Chaya, Premalatha | D Minor | 6 | 7A | 182 BPM | ||
| Etra Kalangal | V2S2, RAGAMALIKATV | A♭ Major | 2 | 4B | 89 BPM | ||
| He Hari He Hari | Gyanu Rana, Meera Rana | E♭ Major | 3 | 5B | 97 BPM | ||
| Rama Rama Seetha Rama | Roopa Shree H S | E♭ Major | 3 | 5B | 162 BPM | ||
| Akkalkoti Bhandara | Ajit Kadkade | G Major | 7 | 9B | 111 BPM |