"Stockade" by Trevor Jones had its release date on January 1, 2000. The duration of This song is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Stockade's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Last Of The Mohicans (Original Motion Picture Score)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of Stockade is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stockade by Trevor Jones having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parlay | Randy Edelman | C Minor | 0 | 5A | 89 BPM | ||
| Guilty | Paul Cantelon | C Minor | 1 | 5A | 91 BPM | ||
| My Edward and I (feat. Jack Liebeck) | Dario Marianelli, Jack Liebeck, Benjamin Wallfisch | F Major | 1 | 7B | 68 BPM | ||
| LaBoeuf Takes Leave | Carter Burwell | F Major | 0 | 7B | 47 BPM | ||
| Skeksis Fight Duel | Trevor Jones | D Major | 4 | 10B | 139 BPM | ||
| Brandenburg Concerto No. 6 in B flat, BWV 1051: 2. Adagio ma non tanto | Johann Sebastian Bach, Trevor Jones, Jan Schlapp, Timothy Mason, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 81 BPM | ||
| Consort Music: Newark Siege - Galliard | John Jenkins, Consort Of Musicke, Trevor Jones | F Minor | 0 | 4A | 101 BPM | ||
| Jessica Escapes [The Merchant of Venice] | Jocelyn Pook, David Juritz | F Minor | 1 | 4A | 139 BPM | ||
| CANCION DEL ADIOS | Alex Conrado | A Minor | 3 | 8A | 120 BPM | ||
| Lolo's | Mark Isham | D Major | 1 | 10B | 94 BPM | ||
| Photo Montage | Nick Glennie-Smith | C Minor | 3 | 5A | 55 BPM | ||
| Training Hard / Russian Moon | Bill Conti | E Minor | 3 | 9A | 117 BPM | ||
| Saphira Returns | James Shearman | E Major | 1 | 12B | 147 BPM | ||
| Stockade | Trevor Jones | E Minor | 0 | 9A | 170 BPM | ||
| A Nice Ride | Randy Newman | A Major | 1 | 11B | 79 BPM | ||
| Labor Of Love | Michael Giacchino | D Major | 1 | 10B | 89 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM | ||
| The Legend Of Wallace | BBC Scottish Symphony Orchestra | D Minor | 1 | 7A | 85 BPM | ||
| Farewell at the Coast | Ingo Ludwig Frenzel | E Minor | 1 | 9A | 47 BPM | ||
| Daybreak In Space | Bill Conti | D♭ Major | 2 | 3B | 172 BPM | ||
| The Last Night - Score | Carter Burwell | C Major | 0 | 8B | 58 BPM | ||
| The Boy's Burial / Pran Sees The Red Cross - From “The Killing Fields” Soundtrack / Remastered 2015 | Mike Oldfield | C Major | 1 | 8B | 68 BPM | ||
| Battle Of Stirling | BBC Scottish Symphony Orchestra | G Minor | 2 | 6A | 105 BPM | ||
| Tornado Warning | Harald Kloser | D♭ Major | 1 | 3B | 139 BPM | ||
| To Live Forever | Dennis McCarthy | D Major | 0 | 10B | 106 BPM |