César Franck, Itzhak Perlman, Vladimir Ashkenazy's 'Sonata For Violin And Piano In A: 4. Allegretto poco mosso' had a release date set for January 1, 1969. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Brahms: Horn Trio / Franck: Violin Sonata by Barry Tuckwell, Itzhak Perlman, Vladimir Ashkenazy. Sonata For Violin And Piano In A: 4. Allegretto poco mosso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata For Violin And Piano In A: 4. Allegretto poco mosso by César Franck, Itzhak Perlman, Vladimir Ashkenazy is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Lied in F Minor | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | F Minor | 0 | 4A | 131 BPM | ||
| Bach, JS: Partita for Solo Violin No. 3 in E Major, BWV 1006: VI. Bourrée | Johann Sebastian Bach, Itzhak Perlman | A Major | 2 | 11B | 81 BPM | ||
| Violin Concerto No.1 in G minor, Op.26: 2. Adagio | Max Bruch, Kyung Wha Chung, Royal Philharmonic Orchestra, Rudolf Kempe | E♭ Major | 1 | 5B | 101 BPM | ||
| Violin Sonata in A major, FWV 8: III. Recitativo-Fantasia. Ben moderato - Molto lento | César Franck, Joshua Bell, Jeremy Denk | D Major | 0 | 10B | 132 BPM | ||
| Debussy: Cello Sonata in D Minor, CD 144, L. 135: II. Sérénade | Claude Debussy, Edgar Moreau, Bertrand Chamayou | G Major | 0 | 9B | 130 BPM | ||
| Sonata For Violin And Piano No.1 In D, Op.12 No.1: 2. Tema con variazioni (Andante con moto) | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | A Major | 1 | 11B | 98 BPM | ||
| Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
| Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
| Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
| Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
| Violin Sonata No. 1 In A Major, Op. 13: I. Allegro Molto | Gabriel Fauré, Dong-Suk Kang, Pascal Devoyon | D Major | 0 | 10B | 174 BPM | ||
| Introduction et Rondo capriccioso, Op.28, R. 188 | Camille Saint-Saëns, Itzhak Perlman, New York Philharmonic, Zubin Mehta | A Minor | 1 | 8A | 103 BPM | ||
| Wieniawski: Polonaise de concert in D Major, Op. 4 | Henryk Wieniawski, Maxim Vengerov, Itamar Golan | D Major | 2 | 10B | 95 BPM | ||
| Violin Sonata in A Major, FWV 8: II. Allegro | César Franck, Renaud Capuçon, Martha Argerich | G Minor | 2 | 6A | 77 BPM | ||
| Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
| Piano Trio, M. 67: I. Modéré | Maurice Ravel, Beaux Arts Trio | B♭ Major | 0 | 6B | 71 BPM | ||
| Piano Trio No. 1 in D Minor, Op. 49: IV. Finale: Allegro assai appassionato | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | D Minor | 1 | 7A | 79 BPM | ||
| Bach, JS: Concerto for Two Violins in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Itzhak Perlman, Pinchas Zukerman, English Chamber Orchestra, Daniel Barenboim | F Major | 2 | 7B | 77 BPM | ||
| Clarinet Quintet in A Major, K. 581: III. Menuetto - Trio I - Trio II | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 0 | 11B | 137 BPM | ||
| Suite for Cello and Orchestra, Op. 16: III. Gavotte (allegro non troppo) | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | D Major | 0 | 10B | 83 BPM | ||
| Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | B Major | 0 | 1B | 119 BPM | ||
| Violin Concerto No. 2 in D Minor, Op. 22: I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 104 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
| Violin Sonata No. 9 in A Major, Op. 47 "Kreutzer": III. Finale. Presto | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | A Major | 2 | 11B | 90 BPM |