"The three ravens (Partsong)" by Thomas Ravenscroft, Pro Cantione Antiqua, Mark Brown had its release date on 1968. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, The three ravens (Partsong) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The three ravens (Partsong) by Thomas Ravenscroft, Pro Cantione Antiqua, Mark Brown is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Six Choral Folk Songs, H.136 (1995 - Remaster): 1. I sowed the seeds of love | Gustav Holst, Baccholian Singers of London | D Major | 2 | 10B | 137 BPM | ||
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| O Mensch, bewein dein Sünde gross | Caspar Othmayr, Vox Luminis, Lionel Meunier, Haru Kitamika | F Major | 1 | 7B | 95 BPM | ||
| O Radiant Dawn | James MacMillan, Apollo5 | C Minor | 1 | 5A | 135 BPM | ||
| St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
| All-night Vigil, Op. 44: Svete tihiy | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Minor | 1 | 7A | 78 BPM | ||
| Missa Gaudeamus: IV. Gloria in excelcis Deo | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 2 | 8A | 76 BPM | ||
| O dolce nocte | Ars Poliphonica | E Minor | 2 | 9A | 103 BPM | ||
| Gloria et honore | Francisco Guerrero, A5 Vocal Ensemble | F Major | 1 | 7B | 129 BPM | ||
| In thee, O Lord | Thomas Ravenscroft, Magdalena Consort, Fretwork, William Hunt | A♭ Minor | 2 | 1A | 79 BPM | ||
| Dowland: First Book of Songs or Ayres: No. 5, Can She Excuse My Wrongs? | John Dowland, Thomas Dunford, Lea Desandre, Jupiter, Alex Rosen, Jess Dandy, Laurence Kilsby | D♭ Minor | 3 | 12A | 143 BPM | ||
| Lauda Jerusalem | Chœur Éphata, Rogatien Despaigne | E Minor | 2 | 9A | 103 BPM | ||
| Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| There were 3 Ravens | Thomas Ravenscroft, Baltimore Consort | C Major | 1 | 8B | 96 BPM | ||
| What Hap Had I to Marry a Shrow (Arr. for Vocal Ensemble by Peter Warlock) | Thomas Ravenscroft, Mark Brown, Michael Clarke, Bob Hunter, James Lewington, Richard Hazell | B♭ Major | 3 | 6B | 75 BPM | ||
| Christus Natus Est | Margaret Rizza, Kevin Mayhew Ltd | E Minor | 2 | 9A | 142 BPM | ||
| As torrents in summer | Edward Elgar, Phoenix Chorale, Christopher Gabbitas | B♭ Minor | 1 | 3A | 91 BPM | ||
| Care for Us, O God of Grace SHZ 377 | Laestadian Lutheran Church, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Ave verum corpus | William Byrd, Choir of St. Ignatius Loyola, Kent Tritle | G Minor | 0 | 6A | 79 BPM | ||
| All Through the Night | Oasis Chorale, Wendell Nisly | B♭ Major | 0 | 6B | 70 BPM | ||
| O Come, Divine Messiah | James Biery, St. Ignatius Loyola Children's Choir, Nancianne Parrella, Michael Sheetz, Mary Huff | A Major | 2 | 11B | 136 BPM | ||
| No. 1, Ubi caritas et amor | Maurice Duruflé, Choir of St John's, Elora, Noel Edison | A Major | 0 | 11B | 67 BPM | ||
| Hejo, spann den Wagen an (Instrumental) | Thomas Ravenscroft, Daisy, junge Lauscher | A Minor | 4 | 8A | 104 BPM | ||
| Arvo Pärt: Bogoróditse Dévo | Arvo Pärt, Schola Cantorum, Tone Bianca Sparre Dahl | A Major | 1 | 11B | 100 BPM |