David Popper, Martin Rummel, Mari Kato's 'Waltz Suite, Op. 60: Waltz No. 1. Allegro' had a release date set for September 24, 2013. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Popper: Complete Suites for Cello". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Austria. Based on our statistics, Waltz Suite, Op. 60: Waltz No. 1. Allegro's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Waltz Suite, Op. 60: Waltz No. 1. Allegro by David Popper, Martin Rummel, Mari Kato having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tarantelle, Op. 23 | William Henry Squire, Oliver Gledhill, Tadashi Imai | D Major | 1 | 10B | 141 BPM | ||
| Gavotte No. 2 in D Major, Op. 23 | David Popper, Steven Isserlis, Stephen Hough | D Major | 1 | 10B | 93 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
| 24 caprices en formes d'etudes: No. 2 in A Minor | Pierre Rode, Axel Strauss | A Minor | 2 | 8A | 83 BPM | ||
| Violin Sonata No. 3 in C Minor, Op. 45: III. Allegro animato | Edvard Grieg, Frederic Chiu, Pierre Amoyal | D Minor | 2 | 7A | 148 BPM | ||
| Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
| Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
| Sonata in G Minor for Violin & Piano, L. 140: 1. Allegro vivo | Claude Debussy, Itzhak Perlman, Vladimir Ashkenazy | D Minor | 1 | 7A | 77 BPM | ||
| Sérénade mélancolique, Op. 26, TH 56: Serenade melancolique (Melancholy Serenade), Op. 26 | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | B♭ Minor | 1 | 3A | 88 BPM | ||
| Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | D Major | 1 | 10B | 130 BPM | ||
| II. Allegro | Antonio Vivaldi, Jiaxin Lloyd Webber, Julian Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | B♭ Minor | 1 | 3A | 87 BPM | ||
| Violin Concerto No. 3 In E Major, MS 50: II. Adagio, Cantabile Spianato | Erno Rozsa, Slovak Radio Symphony Orchestra, Niccolò Paganini | A Major | 0 | 11B | 98 BPM | ||
| Sarasate: Spanish Dances, Op. 22: No. 1, Romanza andaluza | Pablo de Sarasate, Itzhak Perlman, Samuel Sanders | C Major | 2 | 8B | 98 BPM | ||
| Chanson villageoise, Op. 62 No. 2 | David Popper, Alban Gerhardt, Cecile Licad | A Minor | 0 | 8A | 87 BPM | ||
| Elegie, Op. 24 | Gabriel Fauré, Maria Kliegel, Nina Tichman | A♭ Major | 0 | 4B | 72 BPM | ||
| Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
| Suite for Two Cellos: IV. Largo expressivo | David Popper, Patrick Demenga, Thomas Demenga | E♭ Major | 0 | 5B | 75 BPM | ||
| Carmen Concert Fantasy, Op. 25: I. Introduction. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | D Minor | 1 | 7A | 107 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
| Souvenir d'un lieu cher, Op. 42: III. Melodie (Arr. A.K. Glazunov for violin and orchestra) | Pyotr Ilyich Tchaikovsky, Ilya Kaler, Russian Philharmonic Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 115 BPM | ||
| Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, London Philharmonic Orchestra, Seiji Ozawa | B♭ Major | 1 | 6B | 97 BPM | ||
| Paradis: Sicilienne 파라디스 시실리안느 | 김준영 | E♭ Major | 0 | 5B | 137 BPM | ||
| Double Bass Concerto, Op. 3: III. Allegro | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | D Major | 2 | 10B | 170 BPM | ||
| Hohe Schule des Violoncello-Spiels (High School of Cello Playing), Op. 73: Etude No. 15 in G Major | David Popper, Dmitry Yablonsky | G Minor | 1 | 6A | 138 BPM |