Rashmi Dedhiya's ' "Mala Mhantat Punyachi Maina" was released on its scheduled release date, November 15, 2008. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Mala Mhantat Punyachi Maina and no other songs are present in the album, we classify this track as a single. On top of that, India appears to be the country where this track was created. In terms of popularity, Mala Mhantat Punyachi Maina is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mala Mhantat Punyachi Maina by Rashmi Dedhiya to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| JAYBHIM WALA | ADARSH SHINDE | A♭ Major | 4 | 4B | 126 BPM | ||
| Paru Go Paru | Veena Bamne, Santosh Nayak, Shrikant Narayan | B Major | 5 | 1B | 88 BPM | ||
| Lagin Honya Adhi Ya Driverla Janu Bhetun Ja | Gokul Ambildhage | G Major | 10 | 9B | 120 BPM | ||
| Sutala Mazha Padar Bai Mi Nhavte Bhanat - Kalubai | Vijay Sartape | D♭ Major | 7 | 3B | 125 BPM | ||
| Lagnala Hunda Nako | Eknath Mali | F♯ Major | 9 | 2B | 102 BPM | ||
| Mi Chattis Nakhrewali | Nitin Diskalkar, Vaishali Samant | D♭ Major | 8 | 3B | 85 BPM | ||
| Jhala Anand Khara | Prahlad Shinde | A♭ Major | 7 | 4B | 113 BPM | ||
| Aai Baapachi Ladachi Lek He | Anuradha Paudwal | B Major | 7 | 1B | 77 BPM | ||
| Amhi Ambechi Gondhali | Arvind Mohite | D♭ Minor | 10 | 12A | 85 BPM | ||
| Daar Ughad | Adarsh Shinde | D♭ Minor | 7 | 12A | 100 BPM | ||
| Aai Mi Yetay G | Sagar Janardhan, Deepak Madhavi, Sonali Sonawane | G Minor | 8 | 6A | 131 BPM | ||
| Hasnar Kadhi Bolnar Kadhi | Anuradha Paudwal, Suresh Wadkar | A♭ Major | 7 | 4B | 130 BPM | ||
| Kar Karta Kawlo Rani - From "Redu" | Pravin Kunwar, Amta Ghugari | A♭ Major | 9 | 4B | 85 BPM | ||
| Tim Tim Timbali | Ravindra Sathe | C Major | 9 | 8B | 82 BPM | ||
| Sakharbaicha Naad Yedakhula Hay | Sakhrabai Tekale | A Major | 7 | 11B | 125 BPM | ||
| Uth Pandharichya Raaja | Prasad Sawkar, G.D. Madgulkar | F♯ Major | 2 | 2B | 81 BPM | ||
| Aho Mami Tumchi Mulgi Lay Sundar | Sachin Kumavat | G Major | 8 | 9B | 90 BPM | ||
| Kunya Rajana Rajana | Asha Bhosle, Varsha Bhosle | G Minor | 4 | 6A | 92 BPM | ||
| Chikna Chikna Mhavra Maza | Shahir Vitthal Umap | B♭ Major | 5 | 6B | 192 BPM | ||
| Vesavachi Paroo | Shrikant Narayan | B♭ Minor | 4 | 3A | 86 BPM | ||
| Balava Balava Bhaubandle Va Maay 20 | Bhaiya mali | D♭ Major | 8 | 3B | 90 BPM | ||
| Gauri Ganpatichya Sanala | Vitthal Uamap | F♯ Major | 7 | 2B | 77 BPM | ||
| Vanwa | Sunidhi Chauhan | B♭ Minor | 6 | 3A | 79 BPM | ||
| Udto Dola Bai Dola | Prahlad Shinde | C Minor | 2 | 5A | 130 BPM | ||
| Pavna Yeda Kela | Bharti Madhvi | F Major | 10 | 7B | 170 BPM |