Master Rana's ' "Partham Samru" was released on its scheduled release date, September 14, 2005. This song is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 21 in the song's album "O Ambe Maiya". In this album, this song's track order is #1. In terms of popularity, Partham Samru is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Partham Samru by Master Rana having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Laga Ke Aas Main Baitha Hoon | Rajesh Chandra | D♭ Major | 8 | 3B | 141 BPM | ||
| Mere Dakor Me Thakor | Master Rana | B♭ Major | 7 | 6B | 59 BPM | ||
| Shukar Sanwre | Mayank Agarwal | A♭ Major | 9 | 4B | 120 BPM | ||
| Tujha Saibaba Majha Saibaba | Omkar Mahadik | B♭ Minor | 9 | 3A | 180 BPM | ||
| Sathi Hamara Kaun Banega | Sanjay Pareek | A♭ Major | 7 | 4B | 87 BPM | ||
| Om Hanu Hanumate Namo Namah | Sadhana Shree | D♭ Major | 7 | 3B | 96 BPM | ||
| Hey Naam Re | Kishan Bhagat, Pankaj Budrani | F♯ Major | 8 | 2B | 150 BPM | ||
| Duniya Ka Bankar Dekh Liya | Chitra Vichitra Ji Maharaj | A Minor | 7 | 8A | 81 BPM | ||
| Ghor Andhari Re | Nayan Pancholi | B♭ Minor | 7 | 3A | 125 BPM | ||
| HE NATH JODI HATH PAYE | NITIN DEVKA-NIDHO DHOLKIA | E Major | 5 | 12B | 104 BPM | ||
| He Maruti Sari Ram Katha Ka Saar Tumhari Ankhon Mai | Gyanendra Sharma | F♯ Major | 6 | 2B | 145 BPM | ||
| Mahre Sir Par Hai Baba | Sanjay Mittal | B♭ Minor | 5 | 3A | 88 BPM | ||
| Banno To Mahara Shyam Sunder Awtar | Seema Mishra | B Major | 8 | 1B | 105 BPM | ||
| Mithe Ras Se Bharyo Re Radha | Gagan Jethva, Nitin Devka, Bipin Sathiya, Farida Mir, Priti Varsani, Poonam Barot, Jayshreedas Sadhviji, Damyanti Bardai | F♯ Major | 7 | 2B | 93 BPM | ||
| Gopal Krishna Radhe Krishna | Ami Joshi | F Minor | 6 | 4A | 127 BPM | ||
| Anant Koti Brahmandnayak | Sachidanand Appa | G Major | 5 | 9B | 82 BPM | ||
| Sare Tirath Dham Apke Charano Mein | Ehsas, Jigyashu Singh | A Major | 8 | 11B | 140 BPM | ||
| Maa Ke Naam Ki Sanjivani | Shahnaz Akhtar | C Major | 4 | 8B | 170 BPM | ||
| Majhya Saicha Udo | Sachidanand Aappa | F♯ Major | 6 | 2B | 104 BPM | ||
| Kahu Ram Laxman Ni Varta | Master Rana | G Minor | 5 | 6A | 162 BPM | ||
| MALA SHIRDILA NELE | Milind Mohite | A♭ Major | 8 | 4B | 100 BPM | ||
| Hey Bajrang Bali Hanuman | Jitendra Singh | A Major | 7 | 11B | 124 BPM | ||
| Sarangpur Na Dev Enu Kashtbhanjan Che Naam | Lalita Ghodadra, Arvind Barot | A♭ Major | 6 | 4B | 173 BPM | ||
| Chhote Chhote Ghunghroo | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| Ame Maiyasha Kansra Jana | Raghuveer Kunchala | E♭ Major | 6 | 5B | 137 BPM |