"Oh, The Guilt" by Christopher Lennertz had its release date on March 29, 2011. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Christopher Lennertz's "Hop (Original Motion Picture Soundtrack)" album is number 27 out of 35. Oh, The Guilt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oh, The Guilt by Christopher Lennertz to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mirage Theme | Brendan Angelides, Assassin's Creed, Layth Sidiq | D Minor | 6 | 7A | 180 BPM | ||
| No Following | Michael Kamen | A Minor | 1 | 8A | 87 BPM | ||
| John Wick Rises | Tyler Bates, Joel J. Richard | D Major | 8 | 10B | 148 BPM | ||
| Godzilla-1.0 Pray | Naoki Sato | E Minor | 1 | 9A | 65 BPM | ||
| Awaken Your Power | Grant Newman | C Major | 6 | 8B | 110 BPM | ||
| Epic Cinematic Movie Trailer Music | Bobby Cole | C Minor | 6 | 5A | 93 BPM | ||
| Arkham Origins End Titles | Christopher Drake | D Major | 5 | 10B | 94 BPM | ||
| Thor: Ragnarok | Mark Mothersbaugh | A Minor | 7 | 8A | 151 BPM | ||
| Portals | Alan Silvestri | G Major | 5 | 9B | 93 BPM | ||
| Fate Is Fluid | Henry Jackman, Dominic Lewis | A Minor | 1 | 8A | 120 BPM | ||
| Skydiving | Matthew Margeson, Dominic Lewis | A♭ Major | 6 | 4B | 120 BPM | ||
| San Francisco Spared | Dominic Lewis | D Minor | 6 | 7A | 120 BPM | ||
| Blue Beetle Suite | Bobby Krlic | D Major | 3 | 10B | 92 BPM | ||
| The Run (Urban Legends) | Michael Abels | A Minor | 3 | 8A | 104 BPM | ||
| Supercluster | Sebastian Pangal | G Minor | 2 | 6A | 101 BPM | ||
| Godzilla-1.0 Godzilla Suite III | Naoki Sato | D♭ Major | 6 | 3B | 81 BPM | ||
| Phone and Elevator Blues | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| The Immortalist | Secession Studios, Greg Dombrowski | G Minor | 3 | 6A | 72 BPM | ||
| A Future For The Krogan | Christopher Lennertz | B Minor | 4 | 10A | 96 BPM | ||
| Jessamy's Flight | David Buckley | C Major | 7 | 8B | 125 BPM | ||
| Totally Fine | Alan Silvestri | G Minor | 0 | 6A | 139 BPM | ||
| Summon the Suit | Hesham Nazih | E Minor | 0 | 9A | 65 BPM | ||
| Blue Eye Samurai (Mizu Suite) | Amie Doherty | E Minor | 3 | 9A | 130 BPM | ||
| Wales | Marco Beltrami | F♯ Minor | 1 | 11A | 163 BPM | ||
| Singularity | Natalie Holt | F Minor | 5 | 4A | 138 BPM |