George Gordon's ' "Vodka Soda 17:40 (Selena)" was released on its scheduled release date, October 9, 2018. With This song being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Your Good Friend by George Gordon. The song's track number on the album is #9 out of 19 tracks. Vodka Soda 17:40 (Selena) is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Vodka Soda 17:40 (Selena) by George Gordon has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Vodka Soda 17:40 (Selena) being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Verdi: Otello: Atto Primo: Già nella notte densa | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Bellini: I puritani: "All’erta!" (Bruno, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Messa da Requiem for Soloists, Chorus and Orchestra: I. Requiem & Kyrie | Giuseppe Verdi, Leonard Bernstein, London Symphony Orchestra, London Symphony Chorus, Martina Arroyo, Josephine Veasey, Plácido Domingo, Ruggero Raimondi | A Major | 1 | 11B | 83 BPM | ||
| Peter and the Wolf, Op. 67: He Ran Home, Got a Strong Rope and Climbed up the High Stone Wall | Peter Ustinov, Herbert von Karajan, Philharmonia Orchestra | C Major | 2 | 8B | 130 BPM | ||
| Weber: Abu Hassan, J. 106: "Liebes Weibchen, reiche Wein" (Fatime, Abu Hassan) | Carl Maria von Weber, Wolfgang Sawallisch, Edda Moser, Nicolai Gedda, Orchester der Bayerischen Staatsoper München | C Major | 5 | 8B | 139 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 1: VIII. Gloria sit Patri Domino - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Hailey Clark, Golda Schultz, Jennifer Johnston, Okka von der Damerau, Giorgio Berrugi, Michael Nagy, Tareq Nazmi, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Nationaal Kinderkoor, Nationaal Jongenskoor, Roya | A♭ Major | 3 | 4B | 96 BPM | ||
| Bizet: Les pêcheurs de perles, Act 1: "Ô Dieu Brahma !" (Leïla, Nadir, Chœur) | Georges Bizet, Pierre Dervaux, Chœur du Théâtre National de l’Opéra-Comique, Janine Micheau, Nicolai Gedda, Orchestre du Theatre National de IOpera-Comique | F Major | 0 | 7B | 65 BPM | ||
| Tristan und Isolde, WWV 90 / Act 2: "Einsam wachend in der Nacht" | Richard Wagner, Christa Ludwig, Bayreuth Festival Orchestra, Karl Böhm | F♯ Major | 3 | 2B | 97 BPM | ||
| Guridi: 6 canciones castellanas: No. 1, Allá arriba, en aquella montaña | Jesús Guridi, Marianne Crebassa, Alphonse Cemin | C Minor | 1 | 5A | 177 BPM | ||
| Paul Giamatti (Elaine) | George Gordon | F♯ Major | 4 | 2B | 62 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 3 "Wo bin ich? Wach' ich?" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | E♭ Major | 0 | 5B | 91 BPM | ||
| Symphony No. 1, GMW 11: IVc. Wieder wie zu Anfang. Stürmisch bewegt | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | D Major | 4 | 10B | 87 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | A Minor | 1 | 8A | 113 BPM | ||
| The First Child: When you find the right person | Donnacha Dennehy, Irish National Opera, Ryan McAdams, Niamh O'Sullivan | A Minor | 1 | 8A | 113 BPM | ||
| Das Lied von der Erde: VIc. Der Abschied. Schwer | Gustav Mahler, Les Siècles, François-Xavier Roth, Marie-Nicole Lemieux | A Minor | 1 | 8A | 113 BPM | ||
| Drei Hymnen von Walt Whitman, Op. 14: No. 1, Der ich, in Zwischenräumen, in Äonen und Äonen wiederkehre | Paul Hindemith, Florian Störtz, Aleksandra Myslek | A Minor | 1 | 8A | 113 BPM | ||
| Meyerbeer: Les Huguenots, Acte 1: L'orgie. "Bonheur de la table" (Chœur) | Giacomo Meyerbeer, Cyril Diederich, Chœurs de l'Opéra de Montpellier, Orchestre Philharmonique De Montpellier | C Major | 5 | 8B | 137 BPM | ||
| Mozart: Così fan tutte, K. 588, Act 1: Terzetto. "É la fede delle femmine" (Ferrando, Don Alfonso, Guglielmo) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Royal Concertgebouw Orchestra, Deon Van Der Walt, Gilles Cachemaille, Thomas Hampson | D Major | 0 | 10B | 113 BPM | ||
| Donizetti: Lucia di Lammermoor, Act I Scene 2: Quando rapito in estasi (Lucia, Alisa) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Lisette Oropesa, Irene Savignano | D Major | 2 | 10B | 141 BPM | ||
| Mussorgsky: Boris Godunov, Act 1: Drinking Song. "Kak vo gorode bylo vo Kazani" (Varlaam, Grigoriy, Misail) | Modest Mussorgsky, Issay Dobrowen, André Bielecki, Boris Christoff, Nicolai Gedda, Orchestre National Radiodiffusion Française | E♭ Major | 1 | 5B | 88 BPM | ||
| Turning 40 (Cissy) | George Gordon | F♯ Major | 4 | 2B | 94 BPM | ||
| Gilgamesh, Tablet 8: Grief | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Banalités, FP 107: II. Hôtel | Francis Poulenc, Claire Booth, Jâms Coleman | A Minor | 1 | 8A | 113 BPM | ||
| Ravel: Don Quichotte à Dulcinée, M. 84: No. 3, Chanson à boire | Maurice Ravel, Kent Nagano, José van Dam, Orchestre De L'Opéra National De Lyon | C Minor | 2 | 5A | 98 BPM |