John Blow, Consort Of Musicke, Anthony Rooley's 'Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir)' had a release date set for November 28, 2011. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 171 in English Renaissance and Baroque Music Edition by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Venus and Adonis: Prologue: Come shepherd's all, let's sing and play (Cupid, Choir) by John Blow, Consort Of Musicke, Anthony Rooley is Lento (slowly), since this song has a tempo of 57 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | F Minor | 3 | 4A | 100 BPM | ||
| Missa Circumcisionis, ZWV 11: Gloria in excelsis Deo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | F Minor | 3 | 4A | 100 BPM | ||
| Stabat mater: XVIII. Quando corpus ùorietur | Alessandro Scarlatti, Emmanuelle De Negri, Paul Figuier, Les Accents, Thibault Noally | E Minor | 2 | 9A | 68 BPM | ||
| Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | ||
| Messa a 5 Concertata: I. Sinfonia avanti la Messa | Giovanni Paolo Colonna, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Minor | 1 | 2A | 151 BPM | ||
| Alcina, HWV 34, Act I: Questo è il cielo di contenti | George Frideric Handel, Les Musiciens du Louvre, Marc Minkowski, Alex Rosen, Anna Bonitatibus, Valerio Contaldo, Elizabeth DeShong, Magdalena Kožená, Erin Morley | B Minor | 2 | 10A | 166 BPM | ||
| Prologue: Welcome, Welcome | John Blow, Christine Brandes, Nicholas McGegan, The Arcadian Academy, Mary Springfels | F♯ Major | 1 | 2B | 116 BPM | ||
| Venus & Adonis, Act III: "With Solemn Pomp Let Mourning Cupids Bear" (Venus) | John Blow, Orchestra of the Age of Enlightenment, René Jacobs, Rosemary Joshua | F♯ Minor | 1 | 11A | 77 BPM | ||
| Suite in D Major, TWV 55:D23: I. Ouverture | Georg Philipp Telemann, Paul O'Dette, Boston Early Music Festival Orchestra | D♭ Major | 1 | 3B | 98 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Dulcis Jesu, pie Deus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
| Sonata in F, TWV 41 F3: I. Andante | Georg Philipp Telemann, Jared Hauser, Christopher Stenstrom, Francis Perry, Polly Brecht | F Minor | 0 | 4A | 125 BPM | ||
| Sonata in A Major for Two Violins and Bass Continuo: I. Slow | John Blow, Palladian Ensemble | E Major | 1 | 12B | 133 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: I. Vivace. Lento | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 3 | 11A | 92 BPM | ||
| Israel in Egypt, HWV 54: Pt. I: Symphony | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 113 BPM | ||
| Omphale, Acte I: Air. Calme heureux, agréable paix... | Jean-Baptiste Cardonne, Gyorgy Vashegyi, Orfeo Orchestra, Reinoud Van Mechelen | F Minor | 3 | 4A | 100 BPM | ||
| L'Orfeo, SV 318, Act 1: No. 1, In questo lieto e fortunato giorno | Claudio Monteverdi, Nicholas Scott, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM | ||
| Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": II. Moderato | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 124 BPM | ||
| Missa Votiva in E Minor, ZWV 18: XIX. Agnus dei | Jan Dismas Zelenka, Collegium 1704, Václav Luks, Hana Blaziková, Tomáš Kořínek, Tomáš Král | E♭ Minor | 2 | 2A | 98 BPM | ||
| L'Orfeo, SV 318 / Act II: "Mira che sé n'alletta" - "Dunque fa degni, Orfeo" | Claudio Monteverdi, Mark Tucker, Nigel Robson, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | A Major | 1 | 11B | 95 BPM | ||
| Dixit Dominus, RV 595: Donec ponam inimicos tuos: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Anita Krause, Peter Mahon, Nils Brown, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B♭ Minor | 2 | 3A | 136 BPM | ||
| Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
| Magnificat en sol mineur, RV 610: VIII. Sicut locutus est | Antonio Vivaldi, Jordi Savall, Hanna Bayodi-Hirt, Damien Guillon, David Munderloh, La Capella Reial De Catalunya, Le Concert Des Nations | D♭ Major | 2 | 3B | 142 BPM | ||
| Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: I. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| L'Orfeo, SV 318, Act 1: No. 4, Lasciate i monti | Claudio Monteverdi, Chœur De Chambre De Namur, Cappella Mediterranea, Leonardo García-Alarcón | E♭ Major | 5 | 5B | 82 BPM |