"Cello Sonata: II. Lento, intimissimo, e con tempo rubato" by Justin Rubin, Betsy Husby, Alexander Chernyshev had its release date on February 5, 2013. With this song being around four minutes long, at 4:25, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Rubin: A Waltz Through the Vapor". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United States. Cello Sonata: II. Lento, intimissimo, e con tempo rubato is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Sonata: II. Lento, intimissimo, e con tempo rubato by Justin Rubin, Betsy Husby, Alexander Chernyshev having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Requiem aeternam | Alfred Schnittke, Annika Eliasson-Frick, Helena Olsson, Susanne Carlstrom, Malena Ernman, Johan Christensson, Jonas Lindeborg, Mikael Oskarsson, Magnus Bengtsson, Anders Kotz, Michael Engstrom, Eric Skarby, Stefan Therstam, Jonny Ronnlund, Fredrik Bjorlin, Rolf Thunander, Bo Soderberg, Swedish Radio Chorus, Tõnu Kaljuste | C Major | 0 | 8B | 59 BPM | ||
| Piano Album 2008: No. 2, Affetuoso | Justin Rubin, Matthew McCright | A Major | 1 | 11B | 111 BPM | ||
| II. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | G Minor | 1 | 6A | 138 BPM | ||
| Piano Trio No. 2 in E Minor, Op. 67: III. Largo | Dmitri Shostakovich, Stockholm Arts Trio | C Major | 0 | 8B | 86 BPM | ||
| Violin Concerto No.2 "The American Four Seasons" - Song No.1 | Philip Glass, Robert McDuffie, Marin Alsop, London Philharmonic Orchestra | C Major | 0 | 8B | 119 BPM | ||
| Inner Harmony | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| Orpheus, Scene I: Lento sostenuto | London Symphony Orchestra, Robert Craft | A Minor | 2 | 8A | 83 BPM | ||
| Six Little Piano Pieces, Op. 19: Leicht, zart | Arnold Schoenberg, Paul Jacobs | G Major | 0 | 9B | 76 BPM | ||
| Atmosphères (1961) | György Ligeti, Wiener Philharmoniker, Claudio Abbado | G Major | 1 | 9B | 141 BPM | ||
| Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 114 BPM | ||
| Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
| 3 Pieces for String Quartet: No. 3 | Igor Stravinsky, Goldner String Quartet | A♭ Major | 0 | 4B | 87 BPM | ||
| Ultima Verba: I. Ultima Verba | Justin Rubin, Alyssa Anderson, Joseph Spoelstra | E♭ Major | 0 | 5B | 128 BPM | ||
| Delusion of the Fury: Exordium: The Beginning of a Web | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | B♭ Major | 3 | 6B | 72 BPM | ||
| Knee 3 | Philip Glass Ensemble | G Major | 2 | 9B | 114 BPM | ||
| Piano & Violoncello 26 | Irena And Vojtech Havlovi | E♭ Major | 0 | 5B | 69 BPM | ||
| Preludes: Chan d'extase dans une paysage triste (Song of Ecstasy in a Sad Landscape) | Olivier Messiaen, Håkon Austbø | D♭ Minor | 0 | 12A | 72 BPM | ||
| String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): I. Largo | Dmitri Shostakovich, Ensemble Ouranos | C Major | 0 | 8B | 65 BPM | ||
| Schoenberg: 5 Orchestral Pieces, Op. 16: No. 4, Peripetie | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 1 | 3A | 76 BPM | ||
| Prep Gwarlek (Arr. C. Orlando) | Aphex Twin, Alarm Will Sound, Allan Pierson | D♭ Major | 6 | 3B | 180 BPM | ||
| Fabric | Henry Cowell | B♭ Minor | 0 | 3A | 68 BPM | ||
| Le sacre du printemps / Pt. 1: L'Adoration de la terre: VIII. Danse de la terre | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | A♭ Minor | 0 | 1A | 84 BPM | ||
| Études, Book 1: No. 2, Cordes à vide | György Ligeti, Pierre-Laurent Aimard | D♭ Minor | 0 | 12A | 135 BPM | ||
| Cello Sonata: II. Lento, intimissimo, e con tempo rubato | Justin Rubin, Betsy Husby, Alexander Chernyshev | E Major | 0 | 12B | 75 BPM | ||
| Root of an Unfocus | John Cage, Boris Berman | B Major | 0 | 1B | 129 BPM |