Douglas Reed, Sumiko Murashima, Michael Udow's 'The King of Instruments (Japanese): The Sesquialtera' had a release date set for January 1, 2001. With This song being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Douglas Reed, Michael Udow's "In Memoriam William Albright - Albright Organ Music Vol. 1" album is number 8 out of 47. On top of that, United States appears to be the country where this track was created. The King of Instruments (Japanese): The Sesquialtera is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The King of Instruments (Japanese): The Sesquialtera by Douglas Reed, Sumiko Murashima, Michael Udow to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eine Alpensinfonie, Op. 64, TrV 233: II. Sonnenaufgang | Richard Strauss, Berliner Philharmoniker, Seiji Ozawa | A Major | 3 | 11B | 62 BPM | ||
| Gaspard de la nuit: No. 2, Le Gibet. Très lent | Maurice Ravel, Hsiang Tu | A Minor | 1 | 8A | 123 BPM | ||
| Montgomery Variations: I. The Decision – Andante deciso | Margaret Bonds, Philadelphia Orchestra, Yannick Nézet-Séguin | D Minor | 0 | 7A | 141 BPM | ||
| Wind & Earth | Simon Zöchbauer, Federspiel | A Minor | 1 | 8A | 123 BPM | ||
| Zwei Dialoge mit Nachwort: I. Hochzeitswalzer | Valentin Silvestrov, Alexei Lubimov, Munich Chamber Orchestra, Christoph Poppen | F♯ Major | 0 | 2B | 175 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: Nacht (2) | Richard Strauss, Finnish Radio Symphony Orchestra, Nicholas Collon | F♯ Minor | 3 | 11A | 129 BPM | ||
| In Memoriam Dylan Thomas: III. Dirge-Canons (Postlude) | Igor Stravinsky, Quirijn van den Bijlaard, Mark Boonstra, Jose Dias, Alejandro Luque Belmonte, Eeva Koskinen, Hugo Berreni, Christophe Weidmann, Florent Maigrot | A Minor | 1 | 8A | 123 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | A Minor | 1 | 8A | 123 BPM | ||
| Summer Night in a Deep Valley | Chia-Yu Hsu, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Concert pour piano, violon et quatuor à cordes in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Boito Quartet, Leonardo Zunica, Paolo Ghidoni | D Minor | 1 | 7A | 138 BPM | ||
| Romanze, Op. 14 | Leó Weiner, Ditta Rohmann, Istvan Kassai | A Minor | 1 | 8A | 123 BPM | ||
| Love's Labour's Lost, Op.28: 3. Soliloquy 3: On a day, alack the day - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | B♭ Major | 1 | 6B | 103 BPM | ||
| The King of Instruments (English): The Celeste | Douglas Reed, Michael Barone, Michael Udow | B♭ Minor | 0 | 3A | 84 BPM | ||
| Sonata for Violin and Cello, M. 73: I. Allegro | Maurice Ravel, Yeol Eum Son, Damin Kim, Woongwhee Moon | A Minor | 1 | 8A | 123 BPM | ||
| Whispers of Peace | Rylandiaa | G Major | 2 | 9B | 136 BPM | ||
| Symphony No. 1 in E Major, Op. 26: III. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Variations for Orchestra, Op. 31: Variation V. Bewegt | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 3 | 4B | 84 BPM | ||
| Piano Trio No. 3 in F Minor, Op. 65, B. 130: III. Poco adagio | Antonín Dvořák, Trio 258 | A Minor | 1 | 8A | 123 BPM | ||
| Dutilleux: Au gré des ondes: I. Prélude en berceuse | Henri Dutilleux, Anne Queffélec | C Major | 0 | 8B | 75 BPM | ||
| Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
| String Quartet No. 13, 3rd Movement | Antonín Dvořák, vision string quartet | A Minor | 1 | 8A | 123 BPM | ||
| Serenade for Strings in E-Flat Major, Op. 6: I. Andante con moto | Josef Suk, English String Orchestra, William Boughton | B♭ Major | 2 | 6B | 92 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| An Alpine Symphony, Op. 64: I. Night | Richard Strauss, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Major | 0 | 2B | 58 BPM | ||
| Symphony No. 5, Op. 64: IVc. Missa brevis. Credo in unum Deum | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM |