- BPM
- 126
- Key
- D Minor
- Camelot
- 7A
Lefèvre: Clair obscur, Pt. 2 by Alain Lefèvre Song Details
"Lefèvre: Clair obscur, Pt. 2" by Alain Lefèvre had its release date on February 19, 2021. The duration of This song is about 3 minutes long, at 3:23. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Opus 7: Préludes". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Lefèvre: Clair obscur, Pt. 2's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Lefèvre: Clair obscur, Pt. 2 by Alain Lefèvre having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 8%
- Loudness
- -24.362 dB
- Acousticness
- 99%
- Danceability
- 34%
- Energy
- 5%
- Instrumentalness
- 90%
- Liveness
- 9%
- Loudness
- 59%
- Speechiness
- 4%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Salut d'amour Piano Variation (From Op. 12, Arr. for Piano by Jan-Peter Klöpfel) | Edward Elgar, Gabriele Bagnati | E Major | 1 | 12B | 72 BPM | |
 | Piano Concerto "The World of Yesterday": II. Waltz Variations – | Stephen Hough, Hallé, Sir Mark Elder | D Major | 1 | 10B | 140 BPM | |
 | Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Khatia Buniatishvili | F Major | 0 | 7B | 77 BPM | |
 | Elgar: Carissima (Version for Violin and Piano) | Edward Elgar, Vilde Frang, Thomas Hoppe | G Major | 0 | 9B | 104 BPM | |
 | Concerto de l’asile: II. St-Jean-de-Dieu | Walter Boudreau, Canada's National Arts Centre Orchestra, Alexander Shelley, Alain Lefèvre | F Minor | 0 | 4A | 61 BPM | |
 | Fracture (Arr. Vennart for Saxophone, Piano & Moog) | Stephan Moccio, Jess Gillam, Leif Kaner-Lidström, Sam Becker | D Major | 0 | 10B | 66 BPM | |
 | Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Raphaël Feuillâtre, Verbier Festival Chamber Orchestra, Gábor Takács-Nagy, Verbier Festival Orchestra | B Minor | 1 | 10A | 116 BPM | |
 | Nocturno | Manuel de Falla, Javier Perianes | F Minor | 0 | 4A | 129 BPM | |
 | Hai Luli!, VWV 1106 (Arr. for Violin, Harp and String Quintet by Jan-Peter Klöpfel) | Pauline Viardot, Esther Abrami, Lavinia Meijer, Esther Abrami Ensemble | G Minor | 2 | 6A | 172 BPM | |
 | Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | |
 | Elpida | Alain Lefèvre | C Minor | 1 | 5A | 64 BPM | |
 | The Swan - Reimagined | Camille Saint-Saëns, Verwey | F♯ Major | 0 | 2B | 92 BPM | |
 | Rhapsodie Sur Un Thème De Paganini: Variation 18 | Orchestre Symphonique de Montréal, Alain Lefèvre, Sergei Rachmaninoff, Matthias Bamert | D♭ Major | 1 | 3B | 136 BPM | |
 | Syracuse | Henri Salvador, Pierre Génisson, Bruno Fontaine, Thibaut García | A♭ Major | 0 | 4B | 73 BPM | |
 | Snow White: IX. Snow White’s Canzonetta | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | B♭ Major | 1 | 6B | 167 BPM | |
 | Consolation No. 3, S. 172/3 (Arr. Swert for Cello & Piano) | Franz Liszt, Sheku Kanneh-Mason, James Baillieu | E Major | 1 | 12B | 121 BPM | |
 | Piano Concerto No. 23 in A Major, K. 488: II. Adagio | Wolfgang Amadeus Mozart, Alain Lefèvre, Orchestre symphonique de Laval, Jean-François Rivest | F♯ Minor | 0 | 11A | 74 BPM | |
 | Schumann: Arabeske in C Major, Op. 18 | Robert Schumann, George Li | C Major | 0 | 8B | 66 BPM | |
 | Eccles: The Mad Lover: V. Aire. Ground (Arr. Diluka for Piano) | John Eccles, Shani Diluka | F Minor | 2 | 4A | 69 BPM | |
 | 7 Choralbearbeitungen nach Johann Sebastian Bach: No. 7, Erbarme Dich mein, o Herre Gott (After Chorale Prelude, BWV 721) | Reinhard Febel, Lucas Jussen, Arthur Jussen | A Major | 0 | 11B | 106 BPM | |
 | Handel: Keyboard Suite in G Minor, HWV 434: IV. Menuet (With Alternate Kempff Version) | George Frideric Handel, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | 7 Berceuses: No. 4, Berceuse des soirs d'automne | Reynaldo Hahn, Lucas Jussen, Arthur Jussen | E Major | 7 | 12B | 73 BPM | |
 | Puccini Tosca Te Deum Variation (From Tosca, H.146, Arr. for 2 Pianos by Tim Allhoff) | Giacomo Puccini, Tim Allhoff, Gabriele Bagnati, Lorenzo Bagnati | C Minor | 0 | 5A | 89 BPM | |
 | Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | |
 | Méditation in F Major, Op. 33 | Mel Bonis, Raphaela Gromes, Julian Riem | F Major | 0 | 7B | 86 BPM |
- ISRC
- GBDYG2000100
- Label
- L-M Records/RCA Records