- BPM
- 64
- Key
- C Minor
- Camelot
- 5A
Elpida by Alain Lefèvre Song Details
"Elpida" by Alain Lefèvre had its release date on September 30, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Sas Agapo". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. Elpida is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Elpida by Alain Lefèvre having a BPM of 64 with a half-time of 32 BPM and a double-time of 128 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Music Key
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 3%
- Loudness
- -20.776 dB
- Acousticness
- 99%
- Danceability
- 21%
- Energy
- 10%
- Instrumentalness
- 90%
- Liveness
- 10%
- Loudness
- 65%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Orfeo ed Euridice, Wq. 30: Melodie dell'Orfeo (Arr. Sgambati for Piano) | Yuja Wang | D♭ Minor | 1 | 12A | 80 BPM | |
 | Sonata in F Major, No. 38, Hob. XVI. 23: I. Moderato | Joseph Haydn, Alain Lefèvre | D♭ Major | 1 | 3B | 67 BPM | |
 | Je te veux (Version for Piano) | Erik Satie, Dario Müller | E Minor | 1 | 9A | 69 BPM | |
 | Schumann: Kinderszenen, Op. 15: No. 7, Träumerei | Robert Schumann, Kenji Miura | B Minor | 1 | 10A | 73 BPM | |
 | Elpida | Alain Lefèvre | C Minor | 1 | 5A | 64 BPM | |
 | Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Reed Tetzloff, John Eliot Gardiner, Orchestre Philharmonique Du Luxembourg | D♭ Major | 0 | 3B | 92 BPM | |
 | El cant dels ocells (Version for Cello & Orchestra) | Pablo Casals, Harriet Krijgh, Gustavo Gimeno, Deutsche Staatsphilharmonie Rheinland-Pfalz | D Major | 0 | 10B | 128 BPM | |
 | Polovtsian Dances from Prince Igor (piano arr. by L. Faulkner) | Luke Faulkner, Alexander Borodin | A Major | 1 | 11B | 72 BPM | |
 | 24 Preludes: No. 8. in F-Sharp Minor - Andante tempo di Barcarolle | Akio Yashiro, Mao Fujita | F♯ Minor | 0 | 11A | 64 BPM | |
 | 6 Pieces, Op. 51: No. 6. Valse sentimentale | Pyotr Ilyich Tchaikovsky, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | |
 | Monteverdi: Sì dolce è'l tormento, SV 332 (Arr. Diluka for Piano) | Claudio Monteverdi, Shani Diluka | D Minor | 0 | 7A | 134 BPM | |
 | Pourquoi | Alain Lefèvre | G Minor | 0 | 6A | 75 BPM | |
 | Adagio of Spartacus and Phrygia (Transcr. E. Khachaturian for Solo Piano) - Excerpt | Aram Khachaturian, Jean-Yves Thibaudet | F Minor | 0 | 4A | 67 BPM | |
 | Concerto de l’asile: II. St-Jean-de-Dieu | Walter Boudreau, Canada's National Arts Centre Orchestra, Alexander Shelley, Alain Lefèvre | F Minor | 0 | 4A | 61 BPM | |
 | Peer Gynt Suite No. 1, Op. 46 (Version for Piano 4 Hands): III. Anitra's Dance | Edvard Grieg, Lucas Jussen, Arthur Jussen | A Minor | 0 | 8A | 104 BPM | |
 | Flight | Rachel Portman, Angèle Dubeau, La Pietà | G Minor | 1 | 6A | 84 BPM | |
 | Mozart: Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Jonathan Biss, Orpheus Chamber Orchestra | F Major | 0 | 7B | 183 BPM | |
 | Romantic Pieces, Op.75, B.150: IV. Larghetto | Antonín Dvořák, Andrea Cicalese, Julien Quentin | C Minor | 1 | 5A | 139 BPM | |
 | 6 Piano Pieces, Op. 118: No. 5: Romance in F Major | Johannes Brahms, Igor Levit | D Minor | 0 | 7A | 72 BPM | |
 | Piano Concerto in A Minor, Op. 7: III. Allegro non troppo | Clara Schumann, Alexandra Dariescu, Tianyi Lu, Philharmonia Orchestra | A Minor | 1 | 8A | 106 BPM | |
 | Monteverdi Madrigali Amorosi Variation (From Madrigals, Book 5, SV 94-106, Arr. for 2 Pianos by Tim Allhoff) | Claudio Monteverdi, Gabriele Bagnati, Lorenzo Bagnati | A Minor | 1 | 8A | 175 BPM | |
 | Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | |
 | Hier encore (Arr. for Cello and Orchestra by Mathieu Herzog) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | D Minor | 1 | 7A | 100 BPM | |
 | Chants d'Auvergne: Berceuse (Arr. for Cello and Orchestra) | Joseph Canteloube, Sol Gabetta, Prague Philharmonic Orchestra, Charles Olivieri-Munroe | B♭ Major | 0 | 6B | 86 BPM | |
 | Nocturne No. 1 in E-Flat Major, H. 24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
- ISRC
- CALC41601172
- Label
- L-M Records/RCA Records