- BPM
- 172
- Key
- A Minor
- Camelot
- 8A
Ride! Ride!, Act I: Welcome to London, Pretty Girl (Audrey, Sam, Mob, Gentry, Prostitutes, Chorus) by Sharon-Elizabeth Ellis, Gordon Cochran, Company, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites Song Details
Sharon-Elizabeth Ellis, Gordon Cochran, Company, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites's ' "Ride! Ride!, Act I: Welcome to London, Pretty Girl (Audrey, Sam, Mob, Gentry, Prostitutes, Chorus)" was released on its scheduled release date, February 1, 2014. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 25 in the song's album "Thwaites: Ride! Ride!". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. The popularity of Ride! Ride!, Act I: Welcome to London, Pretty Girl (Audrey, Sam, Mob, Gentry, Prostitutes, Chorus) is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
With Ride! Ride!, Act I: Welcome to London, Pretty Girl (Audrey, Sam, Mob, Gentry, Prostitutes, Chorus) by Sharon-Elizabeth Ellis, Gordon Cochran, Company, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.36 dB
- Acousticness
- 95%
- Danceability
- 45%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 68%
- Speechiness
- 12%
- Valence
- 58%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Wagner: Tannhäuser, Act 2: "O Walther, der du also sangest" (Tannhäuser) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin | D Major | 4 | 10B | 128 BPM | |
 | Il Dolce Suono (The 5th Element) | Opera Divas | A♭ Major | 1 | 4B | 79 BPM | |
 | Die Fledermaus / Act 2: "Ich lade gern mir Gäste ein" | Johann Strauss II, Brigitte Fassbaender, Wolfgang Brendel, Wiener Philharmoniker, André Previn | D♭ Major | 1 | 3B | 77 BPM | |
 | Deep River | Marian Anderson, Kosti Vehanen | D♭ Major | 0 | 3B | 65 BPM | |
 | Loveless - Gift of the Goddess - FF7 Rebirth OST Ver. | Masashi Hamauzu | C Major | 0 | 8B | 115 BPM | |
 | Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | |
 | 39. Poor wand'ring ones, though ye have surely straye | Arthur Sullivan, Valerie Masterson, Pauline Wales, Jean Allister, Christene Palmer, Philip Potter, George Cook, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | A♭ Major | 1 | 4B | 113 BPM | |
| The Pirates of Penzance: When the foeman bares his steel | Arthur Sullivan, Valerie Masterson, Jean Allister, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | C Major | 2 | 8B | 121 BPM | |
 | Gershwin: Porgy and Bess, Act 1: "Summertime" (Clara, Chorus) | George Gershwin, Sir Simon Rattle, Harolyn Blackwell, Glyndebourne Chorus, London Philharmonic Orchestra | F♯ Minor | 1 | 11A | 90 BPM | |
 | Adams: Nixon in China: Act I, Scene 2 - "Like the Ming Tombs." | John Adams, Edo de Waart, Orchestra of St. Luke's | F Major | 1 | 7B | 96 BPM | |
 | Porgy And Bess: Oh, Nobody Knows When de Lord Is Gonna Call | George Gershwin, Bernard Thacker, Larry Marshall, Alexander B. Smalls, Wilma Shakesnider, Glover Parham, Hartwell Mace, Houston Grand Opera Men's Ensemble, Betty Lane, John DeMain, Houston Grand Opera Orchestra | D Major | 2 | 10B | 163 BPM | |
 | Casanova: Nuns' Chorus | Johann Strauss II, Kiri Te Kanawa, The Tabernacle Choir at Temple Square, Utah Symphony Orchestra, Julius Rudel | F♯ Major | 1 | 2B | 87 BPM | |
 | Peter and the Wolf, Op. 67 (Narration Rev. Sting): Just Then a Duck Came Waddling Round - English Version | Sergei Prokofiev, Sting, Chamber Orchestra of Europe, Claudio Abbado | A♭ Major | 0 | 4B | 148 BPM | |
 | Ride! Ride!, Act II: Get in There, Audrey, and It's More Than You Deserve! (Sam, Martha, Audrey) | Gordon Cochran, Catherine Harvey, Sharon-Elizabeth Ellis, Robert Manasse, Dov Goldberg, Brian Hill, Roy Babbington, Peter Cater, Penelope Thwaites | F Major | 5 | 7B | 128 BPM | |
 | The Dream of Gerontius, Op. 38, Part II: No. 3, My work is done (Angel) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Jamie Barton | D Major | 2 | 10B | 86 BPM | |
 | Maria de Buenos Aires: Yo Soy Maria (Arr. D. Huber) | Ofelia Sala, Munich Piano Trio | B♭ Major | 1 | 6B | 82 BPM | |
 | Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | |
 | Shéhérazade, M. 41: I. Asie | Maurice Ravel, Anne Sofie von Otter, The Cleveland Orchestra, Pierre Boulez | B♭ Minor | 1 | 3A | 105 BPM | |
 | 4 Stevens: No. 4, Not Ideas About the Thing but the Thing Itself | Michael Starobin, Patrick Mason, David Starobin | D Major | 1 | 10B | 121 BPM | |
 | Gianni Schicchi: Aria. Oh, mio bambino caro (Lauretta) | Giacomo Puccini, Katalin Pitti, Hungarian State Opera Chorus, Budapest Philharmonic Orchestra, Ádám Medveczky | D Major | 3 | 10B | 74 BPM | |
 | Arrivederci, Roma | Renato Rascel, Jonathan Antoine, Julian Reynolds | C Major | 1 | 8B | 82 BPM | |
 | Frauenliebe und -leben Op. 42: 5. Helft mir, ihr Schwestern | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 1 | 6B | 85 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Jacques Pruvost, Robert Geay, George London, Michel Sénéchal, Jean Christophe Benoit, Jean-Pierre Laffage, Nicola Ghiuselev, André Malla | D Major | 1 | 10B | 90 BPM | |
 | Love's Philosophy | Roger Quilter, Jodie Devos, Nicolas Krüger | F Major | 3 | 7B | 72 BPM | |
 | Art is Calling for Me | Molly Watson | E♭ Major | 1 | 5B | 108 BPM |
- ISRC
- USB8U1072307
- Label
- L-M Records/RCA Records