"We Lived Happily During the War: No. 4, Percussion Interlude" by Mathew Rosenblum, Talujon Percussion Quartet had its release date on May 24, 2024. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Mathew Rosenblum, Jamie Jordan, Talujon Percussion Quartet's "Mathew Rosenblum: We Lived Happily During the War" album is number 4 out of 6. On top of that, United States appears to be the country where this track was created. The popularity of We Lived Happily During the War: No. 4, Percussion Interlude is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of We Lived Happily During the War: No. 4, Percussion Interlude by Mathew Rosenblum, Talujon Percussion Quartet to be Vivace (lively and fast) because the track has a tempo of 176 BPM, a half-time of 88BPM, and a double-time of 352 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dances: No. 4, Sarabande | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 0 | 9A | 72 BPM | ||
| Neon Trails | Nomad Skies | E Minor | 0 | 9A | 72 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | ||
| Raga Music: Vibhasa (Sunrise) | John Mayer, José María Belló García | A♭ Major | 0 | 4B | 135 BPM | ||
| Rotation 2 | Svet Stoyanov | B Major | 1 | 1B | 82 BPM | ||
| Messiaen: Vingt Regards sur l'Enfant Jésus: (Le Baiser de l'Enfant Jésus): II. Modéré | Alison Balsom, Guy Barker Orchestra, Tim Redmond | A♭ Minor | 1 | 1A | 92 BPM | ||
| Dances: No. 1, Darkness (Cadenza). Under the Cajun Moon | Tõnu Kõrvits, Ksenija Sidorova, Estonian Festival Orchestra, Paavo Järvi | E Minor | 0 | 9A | 72 BPM | ||
| We Lived Happily During the War | Mathew Rosenblum, Jamie Jordan, Talujon Percussion Quartet | G Minor | 0 | 6A | 116 BPM | ||
| String Quartet No. 3 in D Major, Op. 34: III. Sostenuto. Like a Folk Tune | Erich Wolfgang Korngold, Calidore String Quartet | E Minor | 0 | 9A | 72 BPM | ||
| The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the girl | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | E Minor | 0 | 9A | 72 BPM | ||
| Clarinet Concerto: II. Rather fast - Coda (Final Version) | Aaron Copland, Martin Fröst, Lucy Reeves, Benjamin Martin, Australian Chamber Orchestra, Richard Tognetti | C Major | 2 | 8B | 108 BPM | ||
| Signs, Games and Messages: Árnyak (Shadows) | György Kurtág, Anastasia Kobekina | F♯ Major | 2 | 2B | 142 BPM | ||
| Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
| Cello Solo Sonata, Op. 8: I. Allegro maestoso ma appassionato | Zoltán Kodály, Johannes Przygodda | B Minor | 1 | 10A | 65 BPM | ||
| Northern Flicker | Mathew Rosenblum, Lisa Pegher | C Minor | 2 | 5A | 89 BPM | ||
| Ex Machina: Machine I (Let the Funk Out) | Marc Mellits, Donald Sinta Quartet | F♯ Minor | 4 | 11A | 112 BPM | ||
| El Eco de Un Tambor: 5. Variación #2 | Prism Quartet, Miguel Zenón | A Major | 1 | 11B | 69 BPM | ||
| Ciudades: II. Sarajevo | Guillermo Lago, Fukio Ensemble | D♭ Major | 1 | 3B | 99 BPM | ||
| Solace (A Lyric Concerto): III. Gratitude | Joel Love, Zachary Shemon, Conservatory Wind Symphony of the University of Missouri—Kansas City, Steven D. Davis | A♭ Major | 1 | 4B | 75 BPM | ||
| Sonatina for Horn and Piano Op.56 - II. Minuet: Andantino | Ben Goldscheider, Huw Watkins | A Major | 1 | 11B | 112 BPM | ||
| Limestone & Felt | Caroline Shaw, Anastasia Kobekina, Mariana Doughty | F♯ Major | 2 | 2B | 142 BPM | ||
| Danzón | Johanny Navarro, Han Chen, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Introduction à Hotteterre | Matthieu Metzger | D Minor | 0 | 7A | 83 BPM | ||
| Sonatine pour basson et piano: II. Aria largo cantabile | Alexandre Tansman, Marc Trenel, Pascal Godart | A Minor | 0 | 8A | 130 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM |