On September 3, 2002, the song "Mhara Swami Ri Antaryami Ri" was released by Bhawar Chaudhari, Rekha Trivedi. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Tirthankar Upasana". In this album, this song's track order is #2. Furthermore, we believe that the track originated from India. Based on our statistics, Mhara Swami Ri Antaryami Ri's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Mhara Swami Ri Antaryami Ri by Bhawar Chaudhari, Rekha Trivedi having a BPM of 155 with a half-time of 78 BPM and a double-time of 310 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
F Minor is the music key of this track. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nako Haveli Madi | Madhuri Wilson | D♭ Minor | 5 | 12A | 88 BPM | ||
| Chintaya Mama Manasa hari | Ramakrishna Math, Mahesh Ranjan Shome | F♯ Major | 4 | 2B | 146 BPM | ||
| Chala Re Chala Vinayak | Shailendra Kumar | F Major | 4 | 7B | 93 BPM | ||
| Lugra Chaghahu Navagad Ke | Dukalu Yadav | E♭ Minor | 7 | 2A | 110 BPM | ||
| Ram Naam Bhajale Pyare | Sarvesh Mishra | B♭ Major | 3 | 6B | 127 BPM | ||
| Tumse Laagi Lagan | Rajendra Jain | D Minor | 6 | 7A | 115 BPM | ||
| Sab Ka Bhala Mere Ramji Karen | Hari Om Sharan | D♭ Minor | 5 | 12A | 97 BPM | ||
| Patavar Basale | Shakuntala Jadhav | B♭ Minor | 7 | 3A | 80 BPM | ||
| Dhan Barse Dhan Barse | Sanjay Mittal | D♭ Major | 6 | 3B | 147 BPM | ||
| Hanuman Chhalisa | Hari Om Sharan | A♭ Major | 7 | 4B | 95 BPM | ||
| Mai Aa Gaya Prabhu Ki Sharan | Anandraj Manik Prabhu, Chaitanyaraj Prabhu | A♭ Major | 6 | 4B | 116 BPM | ||
| Sakal Kamana Heen | Samir Date, Dipalee Date | F Minor | 6 | 4A | 88 BPM | ||
| Bai Lek Hi Ladachi | Asha Bhosle | F Minor | 5 | 4A | 96 BPM | ||
| Yaad Laglaya Nathach Yaad Laglaya | Vijay Sartape | F♯ Major | 8 | 2B | 127 BPM | ||
| Aarti Shrinathji Ni Mangla Kari | Ami Joshi | F Minor | 5 | 4A | 109 BPM | ||
| Mangav Talukyat | Sanchita Morajkar | G Minor | 6 | 6A | 82 BPM | ||
| Ram Sita Vivaah | Rattan Mohan Sharma | C Major | 4 | 8B | 146 BPM | ||
| Mere Baankey Bihari Teri Leela Hai Nyaari | Bhaiya Krishan Das Ji | D♭ Major | 8 | 3B | 136 BPM | ||
| Tumchya Mule Mazhya Kunkavala Maan | Lata Naidu | F♯ Minor | 5 | 11A | 152 BPM | ||
| Mola Tor Tir Ma | Gore Lal Barman | F♯ Major | 8 | 2B | 128 BPM | ||
| Adma Ga Purala Pahu Balu Ga Mamala | Vijay Sartape | F♯ Major | 7 | 2B | 202 BPM | ||
| Khamma Khamma Mhara Ghani Khamma | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya | E♭ Major | 5 | 5B | 95 BPM | ||
| Yaaj Sathi Kela Hota Attahas | Shubhangi Joshi, Mahesh Hiremath | A♭ Minor | 4 | 1A | 84 BPM | ||
| Dewra Ke Dare E Rama | Pawan Singh | D♭ Major | 9 | 3B | 118 BPM | ||
| Gokulat Nandaghari | Usha Mangeshkar | B♭ Major | 8 | 6B | 91 BPM |