Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya's ' "Khamma Khamma Mhara Ghani Khamma" was released on its scheduled release date, September 4, 2002. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rekha Trivedi, Sheela Sethiya, Bhawar Chaudhari's "Jineshwar Darshan" album is number 6 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Khamma Khamma Mhara Ghani Khamma is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Khamma Khamma Mhara Ghani Khamma by Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gavoji Gavo Mahavir Gun Gavo Re | Bhawar Chaudhari, Rekha Trivedi, Sheela Sethiya | E♭ Major | 5 | 5B | 95 BPM | ||
| Shri Shiv Stuti | Ashwani Amarnath | F♯ Major | 4 | 2B | 86 BPM | ||
| Chait Mein Ram Janm Tithi Naumi | Kamla Shrivastav | E♭ Minor | 6 | 2A | 169 BPM | ||
| Meera Ke Prabhu Giridhar Naagar | Piyusha-Kailash Anuj | F♯ Major | 8 | 2B | 142 BPM | ||
| Joyu Joyu Me Virpur | Sanjay Ojha, Meena Patel | B Major | 5 | 1B | 80 BPM | ||
| Main Aur Mera Saya (with Commentary) | Bhupen Hazarika, Gulzar | B Minor | 5 | 10A | 136 BPM | ||
| Angai Re Tanya Bala | Aparna Mayekar | G Major | 2 | 9B | 76 BPM | ||
| Dattaguruna Smara | R.N. Paradkar | D♭ Minor | 4 | 12A | 101 BPM | ||
| Mere Mann Ka Papiha | Sarika Kapoor, Surinder Kohli | F♯ Minor | 5 | 11A | 152 BPM | ||
| Tumhara Pyar Bhulaoon Toh - Duet | Attaullah Khan, Hemlata | C Major | 5 | 8B | 144 BPM | ||
| Jagna Loko Mari Hansi - Pt. 1, From "Vaali Bharwadan" | Damyanti Bordia | C Major | 9 | 8B | 157 BPM | ||
| Ma Taro Garbo | Master Rana | C Minor | 5 | 5A | 102 BPM | ||
| F Major | 7 | 7B | 102 BPM | ||||
| Aashro Tamaro Shankeshwar Dada | Prashant Shah (Dikubhai) | A♭ Minor | 2 | 1A | 154 BPM | ||
| Dawa Hath Me Bhalo Ramapeer Re | Prakash Mali | C Minor | 6 | 5A | 101 BPM | ||
| Mujhe Ek Jruri Kaam Maiya Kaha Milegi | Harish Dangi | A♭ Major | 5 | 4B | 116 BPM | ||
| Is Bhavsagar Ka | Sharma Bandhu | A Major | 5 | 11B | 73 BPM | ||
| Bol Shri Krishn | Mahendra Kapoor | A♭ Major | 4 | 4B | 144 BPM | ||
| Kya Hoi Dagadya Toi | Narendra Singh Negi, Anuradha Nirala, Mangla Rawat, Usha Negi | F Minor | 5 | 4A | 163 BPM | ||
| Puroji Puro Mhara Kod | Bhawar Chaudhari, Rekha Trivedi | G Major | 6 | 9B | 114 BPM | ||
| Jalathal Nabh | Samir Date, Dipalee Date | F Minor | 6 | 4A | 86 BPM | ||
| Datt Datt Sadguru Gurudatt | Ajit Kadkade | B Minor | 8 | 10A | 79 BPM | ||
| Nahi Dosh | Ravindra Jain, Sushil Kumar, Hemlata | A♭ Minor | 5 | 1A | 95 BPM | ||
| He Nath Aap Tino Lokon Ko Prakashit Karte Hai | Bhawar Chaudhari | F Minor | 4 | 4A | 120 BPM | ||
| Neend Se Ab Jaag Bande | Hari Om Sharan | B♭ Minor | 6 | 3A | 82 BPM |