Gérard Pesson, Ensemble Recherche's 'Cinq Chansons: III. La stripteaseuse du Mac Doc' had a release date set for 2001. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 19 in the song's album "Pesson: Mes béatitudes". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Cinq Chansons: III. La stripteaseuse du Mac Doc is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Cinq Chansons: III. La stripteaseuse du Mac Doc by Gérard Pesson, Ensemble Recherche having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Urban March (Shadow) | Meredith Monk, Bruce Brubaker, Ursula Oppens | G Major | 1 | 9B | 82 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| For Bunita Marcus (1985): page 6 | Morton Feldman, Marc-André Hamelin | C Major | 0 | 8B | 68 BPM | ||
| Tríptico R(ojo) | Renato Pedro Di Prinzio, Renato Di Prinzio | E♭ Major | 2 | 5B | 134 BPM | ||
| Interludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | A♭ Minor | 0 | 1A | 77 BPM | ||
| Outbreak ETA - Para Voz, Violín, Violonchelo, Flauta, Clarinete y Piano | Juan M. A. Herrera, Jimmy Herrera, Federico Gariglio | G Minor | 3 | 6A | 126 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| String Quartet No. 4, 2nd Movement, Percussive Dimensions | Béla Bartók, vision string quartet, Bernhard Schimpelsberger | B♭ Major | 1 | 6B | 107 BPM | ||
| Coffee Grains | Baby Cello | C Major | 1 | 8B | 78 BPM | ||
| The Unanswered Question | Charles Ives, Cincinnati Philharmonia Orchestra, Gerhard Samuel | C Major | 0 | 8B | 68 BPM | ||
| Solstice Ritual, Homage to Varèse and Ravel for 14 virtuosi: III. Bell Prayers | Augusta Read Thomas, Grossman Ensemble, Jeffrey Milarsky | D♭ Major | 0 | 3B | 64 BPM | ||
| Vexierbilder, Rom: Après une lecture de Penna | Gérard Pesson, Alfonso Alberti | A Major | 0 | 11B | 77 BPM | ||
| Hartke: Netsuke "6 Movements for Violin and Piano": No. 6, Jewel of Widsom with Mountain Pavilions | Stephen Hartke, Augustin Hadelich, Orion Weiss | D Major | 2 | 10B | 104 BPM | ||
| 12 Nocturnes: No. 10, 304 Sterne in einem kleinen Fenster | Bent Sørensen, Katrine Gislinge | B♭ Major | 1 | 6B | 107 BPM | ||
| 11 Gates: No. 1, Drifting into D Major | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | G Major | 1 | 9B | 65 BPM | ||
| String Quartet No. 6 (2001): IV. | Rudolf Kelterborn, Amaryllis Quartett | B♭ Major | 1 | 6B | 107 BPM | ||
| Récreations francaises & neuf bagatelles: VI. Knochenmusik | Gérard Pesson, Gérard Poulet, András Adorján, Jean-Louis Capezzali, Michel Lethiec, Vladimir Mendelssohnn, Arto Noras | G Major | 0 | 9B | 86 BPM | ||
| Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | A♭ Major | 2 | 4B | 88 BPM | ||
| Fantasy nr 3 Luys Milan | Martien van der Knijff | F♯ Major | 1 | 2B | 201 BPM | ||
| Concerto funebre: I. Introduction. Largo - Live | Karl Amadeus Hartmann, Renaud Capuçon, Verbier Festival Chamber Orchestra | F Major | 1 | 7B | 61 BPM | ||
| Donnacha Dennehy: Land of Winter: IV. March | Donnacha Dennehy, Alarm Will Sound, Alan Pierson | D Minor | 4 | 7A | 97 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Shaker Loops: 4. A Final Shaking | John Adams, San Francisco Symphony, Edo de Waart | E Minor | 2 | 9A | 171 BPM | ||
| 2 Pieces for Cello and Piano: I. Langsam | Anton Webern, Thomas Demenga, Thomas Larcher | D Major | 0 | 10B | 94 BPM | ||
| The Heaven Ladder, Book 7: No. 5, Simone's Lullaby (Arr. for Piano 4 Hands) | Terry Riley, ZOFO Duet | B Minor | 0 | 10A | 94 BPM |