"Gawain, Act I (1994 Revised Version): Three Riddles. There Was a Man" by Harrison Birtwistle, Omar Ebrahim, Alan Ewing, Orchestra Of The Royal Opera House, John Marsden, Francois Le Roux, Elgar Howarth had its release date on August 5, 2014. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Gawain, Act I (1994 Revised Version): Three Riddles. There Was a Man's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Harrison Birtwistle, Orchestra Of The Royal Opera House, Elgar Howarth's "Harrison Birtwistle: Gawain (1994 Revised Version)" album is number 4 out of 65. On top of that, United Kingdom appears to be the country where this track was created. Gawain, Act I (1994 Revised Version): Three Riddles. There Was a Man is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gawain, Act I (1994 Revised Version): Three Riddles. There Was a Man by Harrison Birtwistle, Omar Ebrahim, Alan Ewing, Orchestra Of The Royal Opera House, John Marsden, Francois Le Roux, Elgar Howarth to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Fratres (Version for String Quartet) | Arvo Pärt, Rudolf Werthen, Arnold Kobyliansky, Michael Kugel, France Springuel | C Minor | 0 | 5A | 73 BPM | ||
| Riessler: Family Affair | Michael Riessler, Sabine Meyer, Trio Di Clarone | C Major | 0 | 8B | 74 BPM | ||
| Berceuse de Jeanne | Harrison Birtwistle, Nicolas Hodges, Claire Edwardes | E Minor | 0 | 9A | 95 BPM | ||
| Ravel: Berceuse sur le nom de Fauré, M. 74 | Maurice Ravel, Jean-Jacques Kantorow, Jacques Rouvier | E Minor | 0 | 9A | 95 BPM | ||
| String Quartet No. 1 in C Major, Op. 37: I. Lento assai - Allegro moderato | Karol Szymanowski, Belcea Quartet | F Major | 2 | 7B | 92 BPM | ||
| the little match girl passion: when it is time for me to go | David Lang, Theatre Of Voices, Paul Hillier | F Minor | 0 | 4A | 78 BPM | ||
| Turangalîla-Symphonie: VIII. Développement de l'amour | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Preludio de Luciérnagas | Classical Laguna Experience Orchestra, Gabriela Ortiz, Ludwig Carrasco | B Minor | 1 | 10A | 79 BPM | ||
| Aria | Euchar Gravina, Stefan Calleja, London Symphony Orchestra, Miran Vaupotić | E Minor | 0 | 9A | 95 BPM | ||
| Stoned | The Chitinous Ensemble | G Major | 5 | 9B | 104 BPM | ||
| Dybbuk: Part I: IV. Dream | Leonard Bernstein, Mel Ulrich, Mark Risinger, Nashville Symphony Orchestra, Andrew Mogrelia | D♭ Major | 0 | 3B | 87 BPM | ||
| Symphony No. 3: II | Arvo Pärt, NFM Wrocław Philharmonic, Tõnu Kaljuste | A Minor | 0 | 8A | 95 BPM | ||
| Enescu: String Octet in C Major, Op. 7: IV. Mouvement de valse bien rythmée | George Enescu, Quatuor Ébène, Belcea Quartet | E Minor | 0 | 9A | 95 BPM | ||
| Multi-Music Canada for Orchestra: VI. Celebrations - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | D♭ Major | 2 | 3B | 90 BPM | ||
| Missa Circumcisionis, ZWV 11: Qui sedes ad dexteram Patris | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Václav Luks | E Minor | 0 | 9A | 95 BPM | ||
| Peter Grimes, Op. 33 / Act 1: Interlude II: The Storm | Benjamin Britten, Elizabeth Bainbridge, Patricia Payne, Jonathan Summers, John Dobson, Teresa Cahill, Anne Pashley, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Minor | 4 | 9A | 76 BPM | ||
| Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
| Variations for Orchestra, Op. 31: Introduktion | Arnold Schoenberg, Berliner Philharmoniker, Kirill Petrenko | C Major | 1 | 8B | 133 BPM | ||
| Quatuor pour la fin du Temps: II. Vocalise, pour l’Ange qui annonce la fin du Temps | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E Minor | 0 | 9A | 95 BPM | ||
| Cello Concerto in C Minor, Op. 43: I. Adagio | Mieczysław Weinberg, Kristina Reiko Cooper, Constantine Orbelian, Kaunas City Symphony Orchestra | E Minor | 0 | 9A | 95 BPM | ||
| Bartók: String Quartet No. 4 in C Major, Sz. 91: III. Non troppo lento | Béla Bartók, Belcea Quartet | C Major | 0 | 8B | 72 BPM | ||
| Smith: Desert Ecology: V. Cactus-Yucca Scrub | Gabriella Smith, Delirium Musicum, Étienne Gara | B♭ Minor | 1 | 3A | 89 BPM | ||
| Quatuor pour la fin du Temps: I. Liturgie de cristal | Olivier Messiaen, Louise Bessette, Cameron Crozman, Dominic Desautels, Mark Lee | E Minor | 0 | 9A | 95 BPM | ||
| Four Interludes For A Tragedy | Peter Zinovieff, Harrison Birtwistle | E Minor | 0 | 9A | 95 BPM | ||
| Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue, Torleif Thedéen | E Major | 0 | 12B | 81 BPM |