"Streichquartett Nr. 4: Seated Harlequin" by Ned Rorem, Emerson String Quartet had its release date on January 1, 1998. With This song being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emerson String Quartet, Edgar Meyer's "Meyer: Quintet . Rorem: Quartet No.4 - Emerson String Quartet" album is number 9 out of 14. On top of that, Germany appears to be the country where this track was created. Streichquartett Nr. 4: Seated Harlequin is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Streichquartett Nr. 4: Seated Harlequin by Ned Rorem, Emerson String Quartet to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Winter Pages: II. The sun that brief December day | Ned Rorem, Fred Sherry, Frank Morelli, Ida Kavafian, Charles Wadsworth, Todd Palmer | C Major | 0 | 8B | 80 BPM | ||
| Blumenleben, Op. 19: No. 2, Veilchen | Dora Pejačević, Natasa Veljkovic | B♭ Major | 0 | 6B | 171 BPM | ||
| Radamisto, HWV 12: Ombra cara - Arr. for Voice & Piano | George Frideric Handel, Théophile Alexandre, Guillaume Vincent | D Minor | 1 | 7A | 71 BPM | ||
| Images, Suite No. 3, Op. 35: I. Les ânesses grises sur la route d’El-Azib | Marcel Tournier, Emmanuel Ceysson, Quatuor Voce | G Minor | 0 | 6A | 135 BPM | ||
| Dies Natalis, Op.8: 1. Intrada | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 82 BPM | ||
| Sleep | Ian Bostridge, Julius Drake | B♭ Minor | 0 | 3A | 99 BPM | ||
| Ives: Set No. 6 for Chamber Orchestra "From the Side Hill": I. Mists | Charles Ives, Ensemble Modern, Ingo Metzmacher | E♭ Major | 1 | 5B | 131 BPM | ||
| Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
| Gilgamesh, Tablet 5: Blood | J. Scott Brubacher, Stephen Lancaster, Susan McDaniel | F Major | 2 | 7B | 78 BPM | ||
| Pelléas et Mélisande, Op. 80 (Arr. C. Koechlin): V. Sicilienne. Allegretto molto moderato | Gabriel Fauré, Radio Sinfonieorchester Stuttgart des SWR, Heinz Holliger | G Minor | 0 | 6A | 91 BPM | ||
| Cello Concerto in A Minor, Op. 129: IIa. Sehr langsam | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| 24 Preludes & Fugues, Op. 87: Fugue no.1 in C major. Moderato (4-voice) | Dmitri Shostakovich, Alexander Melnikov | A Minor | 0 | 8A | 73 BPM | ||
| Bright Music: Fandango | Ned Rorem, The Fibonacci Sequence | C Major | 1 | 8B | 90 BPM | ||
| El sombrero de tres picos, Pt. 2: I. Danza de los vecinos | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 100 BPM | ||
| Woodland Suite: III. Moon-Fairy | George Dyson, BBC Symphony Orchestra, Richard Hickox | A Major | 0 | 11B | 74 BPM | ||
| Concerto for English Horn and Orchestra: IV. Perpetual Motion | Ned Rorem, Thomas Stacy, Michael Palmer, Rochester Philharmonic Orchestra | G Major | 1 | 9B | 103 BPM | ||
| Duruflé: Requiem, Op. 9: VIII. Lux æterna | Maurice Duruflé, Michel Plasson, Orchestre Du Capitole De Toulouse, Marie-Claire Alain, Orfeon Donostiarra | B♭ Major | 0 | 6B | 123 BPM | ||
| Liederkreis, Op. 39: No. 5, Mondnacht (Arr. Rot for Cello and Orchestra) | Robert Schumann, Kian Soltani, Camerata Salzburg, Gregory Ahss | E Major | 0 | 12B | 113 BPM | ||
| Symphony No. 2 in One Movement, Op. 30: III. Andante | Ruth Gipps, Rumon Gamba, BBC National Orchestra Of Wales | F♯ Minor | 0 | 11A | 64 BPM | ||
| Songs of Travel: The Infinite Shining Heavens | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | B♭ Major | 0 | 6B | 168 BPM | ||
| Pavane pour une infante défunte, M. 19 (Arr. for Wind Ensemble by Guy du Cheyron) | Maurice Ravel, Ensemble Ouranos | E Major | 1 | 12B | 83 BPM | ||
| 6 Morceaux, Op. 19: I. Rêverie du soir. Andante espressivo - Excerpt | Pyotr Ilyich Tchaikovsky, Pavel Kolesnikov | D Major | 0 | 10B | 68 BPM | ||
| La ville morte, Act I: Eros invaincu au combat | Nadia Boulanger, Raoul Pugno, Talea Ensemble, Neal Goren, Melissa Harvey, Laurie Rubin | E Major | 1 | 12B | 83 BPM | ||
| 3 Chorales, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Minor | 1 | 5A | 123 BPM | ||
| Our Town, Act III: "Look! There's the Church Where I Got Married!" | Ned Rorem, Margot Rood, Matthew DiBattista, Angela Gooch, David Kravitz, Gil Rose | G Major | 2 | 9B | 100 BPM |