Manabendra Mukherjee's 'Hay Palashi' had a release date set for January 1, 1973. The duration of This song is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Hay Palashi's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 12 in All Time Greats - Manabendra Mukherjee - Vol 4 by Manabendra Mukherjee, Kazi Nazrul Islam, Shyamlal Gupta Prashad. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Hay Palashi's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Hay Palashi by Manabendra Mukherjee is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Katha Dao Bhulbe Na Go | Mrinal Chakraborty | C Major | 3 | 8B | 115 BPM | ||
| Andhe-ki-laathitu Hi Hai | K. L. Saigal | F♯ Major | 3 | 2B | 102 BPM | ||
| Chithi - Tumi Aaj Kato Durey | Jaganmoy Mitra | C Minor | 2 | 5A | 126 BPM | ||
| Na Hoy Mon Dite Tumi Parona | Akhil Bandhu Ghosh | E♭ Major | 3 | 5B | 159 BPM | ||
| Brajo Gopi Khele Hori | Mohammed Rafi | D♭ Minor | 6 | 12A | 90 BPM | ||
| Jibonanondo | Niaz Mohammad Chowdhury | C Major | 4 | 8B | 80 BPM | ||
| Chokher Alloy | Indrani Sen | F♯ Major | 4 | 2B | 135 BPM | ||
| Sagar Sangame | Bhupen Hazarika | E♭ Major | 5 | 5B | 118 BPM | ||
| Baje Na Banshi | S. D. Burman | F Minor | 5 | 4A | 101 BPM | ||
| Gaanguli Mor | Malabika Mukherjee, Satinath Mukherjee | B♭ Minor | 5 | 3A | 101 BPM | ||
| O Tota Pakhi Re | Nirmala Mishra, Prabir Mazumder | F♯ Major | 3 | 2B | 120 BPM | ||
| Ami To Tomar Chirodiner Hnasi Kannar Sathi | Nirmala Mishra | E Minor | 5 | 9A | 152 BPM | ||
| Chena Chena Mukhta Tomar | Subir Sen | B Minor | 6 | 10A | 125 BPM | ||
| Basbo Bhalo Rakhbo Bhore | Sapan Chakraborty, Kavita Krishnamurthy, Shakti Thakur, Haimanti Sukla | F Minor | 3 | 4A | 116 BPM | ||
| Taar Churite Je Rekhechhi Mon | Manabendra Mukherjee | D♭ Minor | 2 | 12A | 117 BPM | ||
| Sajani Go Premer Katha | R. D. Burman | F♯ Minor | 4 | 11A | 108 BPM | ||
| Godhuli Gagane | Debabrata Biswas | A Major | 1 | 11B | 80 BPM | ||
| Tapur Tupur Sara Dupur | Aarti Mukherji | F♯ Minor | 2 | 11A | 144 BPM | ||
| Charano Dharite Diyo Go Aamare | Durnibar | F Minor | 2 | 4A | 110 BPM | ||
| Khorer Protima Pujis Re Tora | Swaraj Roy | A Major | 4 | 11B | 160 BPM | ||
| Mahua Phooler Madir Baase | Manabendra Mukherjee | B Major | 8 | 1B | 164 BPM | ||
| Khelichha E Viswa Loye | Anup Jalota | A♭ Minor | 1 | 1A | 150 BPM | ||
| Ore Bhai Phagun Legeche | Swagatalakshmi Dasgupta | B♭ Major | 1 | 6B | 81 BPM | ||
| Anondo Loke | Rezwana Choudhury Bannya | B Major | 3 | 1B | 101 BPM | ||
| Pagla Hawar Badol Dinee | Rezwana Choudhury Bannya | D♭ Major | 5 | 3B | 88 BPM |