"The Phone Conversation" by Michael Bross had its release date on July 30, 2007. The duration of This song is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. The Phone Conversation's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Bross's "Music From Oddworld: Stranger's Wrath, Vol. 1" album is number 12 out of 25. On top of that, Canada appears to be the country where this track was created. The Phone Conversation is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Phone Conversation by Michael Bross to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Parallel Dimension | Joyce Allen, Test Drive | B Major | 1 | 1B | 70 BPM | ||
| Florist | Madina Janiyaz, Aleeya | F Minor | 4 | 4A | 100 BPM | ||
| The Wheels of Wonder | Jack Wall | G Major | 2 | 9B | 75 BPM | ||
| Skirmish | Andrew Luchanko | D Major | 4 | 10B | 113 BPM | ||
| Caves | Matt Uelman | B Minor | 4 | 10A | 78 BPM | ||
| You Carry What You Must | Marc Canham | B♭ Minor | 2 | 3A | 180 BPM | ||
| When the Night Comes | Piotr Musiał | D Minor | 3 | 7A | 126 BPM | ||
| Carbon Cataclysm | Lotus Engine | G Major | 3 | 9B | 147 BPM | ||
| Hold Position | The Inspire | D Major | 6 | 10B | 140 BPM | ||
| Heroic | Code | F Major | 7 | 7B | 109 BPM | ||
| The Phone Conversation | Michael Bross | E♭ Major | 2 | 5B | 67 BPM | ||
| Nightmare Creatures | elmobo | D♭ Major | 1 | 3B | 90 BPM | ||
| Enter Skag Gully | Raison Varner | C Major | 2 | 8B | 175 BPM | ||
| Last Legs | Michael Bross | E♭ Major | 2 | 5B | 67 BPM | ||
| Inferno Vault | Gareth Coker | F Minor | 3 | 4A | 200 BPM | ||
| Justo Ahora | toribio | B♭ Major | 4 | 6B | 125 BPM | ||
| What Might've Been | Sam Hulick | A Minor | 1 | 8A | 76 BPM | ||
| The Frost | Suat Can | G Major | 3 | 9B | 33 BPM | ||
| Meeting Alton | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Deal of the Next Millennia | Jeff van Dyck | E♭ Major | 3 | 5B | 179 BPM | ||
| Midnight’s Mirrorless | Thornbyte | D♭ Minor | 6 | 12A | 104 BPM | ||
| A Great Day for Science | Michael Bross | D Minor | 9 | 7A | 150 BPM | ||
| Searching for Hashes | Chris Tilton | F Minor | 4 | 4A | 165 BPM | ||
| Catacombs | Jim Guthrie | E♭ Major | 4 | 5B | 120 BPM | ||
| I Am The End | Metal Gear Sound Team | E Minor | 2 | 9A | 111 BPM |