Farrell VernonILarry Ford's ' "Suite for Sopranino Saxophone and Percussion: Gig" was released on its scheduled release date, December 15, 2007. With This song being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 25 in the song's album "The Forgotten Saxophone: New Music For The Sopranino". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. In terms of popularity, Suite for Sopranino Saxophone and Percussion: Gig is currently unknown. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With Suite for Sopranino Saxophone and Percussion: Gig by Farrell VernonILarry Ford having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Intrada | Arthur Honegger, Håkan Hardenberger, Roland Pöntinen | E♭ Major | 1 | 5B | 123 BPM | ||
| Songs of a Wayfarer (with Catherine Milledge) | Martin Smith | D♭ Major | 0 | 3B | 86 BPM | ||
| Due Tramonti (Arr. for Euphonium & Piano by Anonymous) | Ludovico Einaudi, David Childs, Christopher Williams | F Major | 0 | 7B | 69 BPM | ||
| Concertino for Viola and Chamber Orchestra: II. Andante Espressivo | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A♭ Minor | 1 | 1A | 80 BPM | ||
| Rustiques | Eugène Bozza, Eric Aubier, Pascal Godart | F Major | 1 | 7B | 170 BPM | ||
| Viola Concerto, BB 128, Sz. 120: I. Moderato | Béla Bartók, James Ehnes, Gianandrea Noseda, BBC Philharmonic Orchestra | E Major | 1 | 12B | 85 BPM | ||
| Introduzione e 6 Variazioni Brillanti, Op. 23 (REINVENTED for Solo Flute by LUCA ASTOLFONI FOSSI):III. Variazione I | Ernst Krähmer, Claudio Ferrarini | E Minor | 0 | 9A | 72 BPM | ||
| Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Sohre Rahbari, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | B♭ Major | 0 | 6B | 168 BPM | ||
| Bassoon Scherzo No. 1 in F-Sharp Minor (Original Recording) by Nikolas Eleftheriou | Nikolas Eleftheriou | F♯ Minor | 1 | 11A | 67 BPM | ||
| Flute Sonata in A Minor, Wq. 132, H. 562 (arr. for oboe): II. Allegro | Anonymous, Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | A Minor | 1 | 8A | 134 BPM | ||
| Trio (Lamento), for Oud, Viola and Piano: IV. Un Poco Piu Mosso | Menachem Wiesenberg, Yuval Gotlibovich, Taiseer Elias | G Major | 1 | 9B | 87 BPM | ||
| Sonata "Undine" Op. 167 for Flute and Piano: I. Allegro | Carl Reinecke, Jasmine Choi | E Minor | 1 | 9A | 108 BPM | ||
| La Mezquita II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | A♭ Major | 7 | 4B | 150 BPM | ||
| Clear Mind | Rylandiaa | E Major | 1 | 12B | 100 BPM | ||
| Suita Concertante-Encounters IV for Viola Clarinet and Chamber Orchestra: II. Allegro | Menachem Wiesenberg, Yuval Gotlibovich, Chen Halevi, Thomas Rösner, Beethoven Philarmonie Orchestra | A Minor | 2 | 8A | 137 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | E Minor | 0 | 9A | 72 BPM | ||
| Madrigal pour flûte et piano | Philippe Gaubert, Vincent Lucas, Laurent Wagschal | G Major | 0 | 9B | 89 BPM | ||
| Alto Saxophone Sonata in C-Sharp Major (Version for Saxophone & Piano): I. Très modéré, expressif | Fernande Decruck, Asya Fateyeva, Valeria Myrosh | E Major | 1 | 12B | 102 BPM | ||
| Escenas | Gabriel Bouche Caro, Clare Monfredo, Eric Schultz | A Minor | 1 | 8A | 88 BPM | ||
| Brass Quintet No. 2, Op. 6: I. Allegro risoluto | Victor Ewald, Stockholm Chamber Brass | E♭ Major | 0 | 5B | 71 BPM | ||
| Como aceite | Gabriel Andrés Gallegos | E♭ Major | 0 | 5B | 75 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | E Minor | 0 | 9A | 72 BPM | ||
| La Scandinavie: II. Vermelandsvisa (Arr. for Oboe and Piano by Serol Yapici) | Percy Grainger, Serol Yapici, Tudor Cioceanu | E Minor | 0 | 9A | 72 BPM | ||
| Träumerei, Op. 15 No. 7 | Robert Schumann, Michael Collins, Michael McHale | G Major | 1 | 9B | 99 BPM | ||
| Six Studies in English Folksong | Gene Pokorny | E♭ Major | 0 | 5B | 70 BPM |