"Symphony No.9 "From The New World": In E Minor, Op.95: II. Largo" by Rheinische Philharmonie had its release date on 1990. This song appears to be safe for all ages as it is not explicit. The song is number 2 out of 9 in Dvořák: Symphony From The New World No.9; Serenade For Strings (Symphonie Nr.9 Aus Der Neuen Welt; Streicher - Serenade) by Rheinische Philharmonie. Symphony No.9 "From The New World": In E Minor, Op.95: II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.9 "From The New World": In E Minor, Op.95: II. Largo by Rheinische Philharmonie is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 21 Hungarian Dances, WoO 1 - Transcription Joseph Joachim: No. 5 in G Minor | Johannes Brahms, Akiko Suwanai, Boris Berezovsky | G Minor | 1 | 6A | 79 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet | E Major | 0 | 12B | 79 BPM | ||
| Suite N2. Cancion De Solveig | Orquesta Sinfónica De Radio Hamburgo | E Minor | 0 | 9A | 65 BPM | ||
| String Quartet No. 66 in G Major, Op. 77, No. 1, Hob.III:81, "Lobkowitz": I. Allegro moderato | Joseph Haydn, Kodály Quartet | D Major | 1 | 10B | 91 BPM | ||
| Ashes | Hilary Hahn, Hauschka | D♭ Minor | 1 | 12A | 128 BPM | ||
| 24 Caprices for Solo Violin, Op. 1, MS 25: No. 24 in A Minor. Tema con variazioni. Quasi presto | Niccolò Paganini, Ruggiero Ricci | A Minor | 3 | 8A | 116 BPM | ||
| Der Silbersee, Act II: Rom heiss eine Stadt | Kurt Weill, Carole Farley, Michael Guttman, Rheinische Philharmonie, José Serebrier | G Minor | 2 | 6A | 104 BPM | ||
| VII. Finale | Igor Stravinsky, Brussels Philharmonic, Alexander Rahbari | D♭ Minor | 3 | 12A | 81 BPM | ||
| Waltz No. 9 in A-Flat Major, Op. 69 No. 1 "The Farewell" | Pamela Howland | A♭ Major | 0 | 4B | 85 BPM | ||
| Schelomo, B. 39 | Ernest Bloch, Daniel Raiskin, Julian Steckel, Rheinische Philharmonie | D Minor | 1 | 7A | 85 BPM | ||
| Mozart: Requiem in D Minor, K. 626: VII. Confutatis | Nikolaus Harnoncourt, Vienna State Opera Chorus | C Major | 0 | 8B | 116 BPM | ||
| Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Nicola Benedetti, Czech Philharmonic, Jakub Hrůša | E♭ Major | 0 | 5B | 96 BPM | ||
| Adagio for Strings, Op. 11 | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | B♭ Minor | 0 | 3A | 82 BPM | ||
| Cavalleria Rusticana I - Intermezzo | Heribert Beissel | F Major | 1 | 7B | 81 BPM | ||
| VII. La fille aux cheveux de lin (Arr. G. Garcia) | Claude Debussy, Gerald Garcia, CSSR State Philharmonic Orchestra, Kosice, Peter Breiner | C Major | 1 | 8B | 92 BPM | ||
| Canon In D Major | Johann Pachelbel, Robert Haydon Clark, Consort of London | D Major | 1 | 10B | 85 BPM | ||
| Piano concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Vadym Kholodenko, The Norwegian Radio Orchestra, Miguel Harth-Bedoya | G Minor | 0 | 6A | 80 BPM | ||
| Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
| Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
| Cello Concerto, Op. 23: I. Andante sostenuto - Quodlibet: Allegro | Berthold Goldschmidt, Daniel Raiskin, Julian Steckel, Rheinische Philharmonie | G Minor | 2 | 6A | 104 BPM | ||
| Songs Without Words, Op. 30: No. 6, Venezianisches Gondellied (Allegretto tranquillo) | Felix Mendelssohn, Henrik Måwe | E Major | 0 | 12B | 72 BPM | ||
| Wine Roses | Carole Farley, Frederick Delius, Rheinische Philharmonie, Philharmonia Orchestra, José Serebrier | A Major | 1 | 11B | 178 BPM | ||
| Waltz No. 1 in D-Flat Major, Op. 64, "Minute Waltz" | Frédéric Chopin, Henrik Måwe | D♭ Major | 2 | 3B | 89 BPM | ||
| Orfeo ed Euridice: Dance of the Blessed Spirits | Christoph Willibald Gluck, Slovak State Philharmonic Orchestra, Johannes Wildner | F Major | 0 | 7B | 138 BPM | ||
| Vocalise, Op. 34 | London Philharmonic Orchestra, Pieter Schoeman | E Minor | 2 | 9A | 92 BPM |