String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile by Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet Song Details

"String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile" by Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet had its release date on 1977. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Tchaikovsky: Complete String Quartets". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile by Pyotr Ilyich Tchaikovsky, Gabrieli String Quartet having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 21%
Loudness: -23.099 dB
Acousticness: 98%
Danceability: 12%
Energy: 4%
Instrumentalness: 91%
Liveness: 10%
Loudness: 62%
Speechiness: 4%
Valence: 3%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Violin Concerto in D Major, Op. 35: II. Romance	Erich Wolfgang Korngold, Jascha Heifetz, Los Angeles Philharmonic, Alfred Wallenstein	G Major	3	9B	102 BPM
Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto	Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit	F Major	0	7B	74 BPM
Piano Concerto No.2 in G Major, Op. 44: I. L'istesso tempo	Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson	D Major	1	10B	62 BPM
Berceuse (Arr. For viola and piano)	Frank Bridge, Enikő Magyar, Tadashi Imai	B♭ Major	0	6B	83 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio	Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra	F Minor	0	4A	84 BPM
3 Romances for Violin and Piano, Op. 22: II. Allegretto	Clara Schumann, Lisa Batiashvili, Alice Sara Ott	G Minor	0	6A	92 BPM
Suite for Cello and Orchestra, Op. 16: V. Tarantelle (presto non troppo)	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	D Major	3	10B	94 BPM
Carnival of the Animals, R. 125: XIII. The Swan	Camille Saint-Saëns, Marian Lapsansky, Peter Toperczer, Slovak Radio Symphony Orchestra, Ondrej Lenard	G Major	0	9B	79 BPM
Serenade for Strings in C major, Op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito	Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet	C Major	2	8B	158 BPM
The Banks of Green Willow	George Butterworth, BBC National Orchestra Of Wales, Kriss Russman	E Minor	0	9A	78 BPM
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102)	Robert Schumann, Yo-Yo Ma, Kathryn Stott	F Major	1	7B	114 BPM
Paganini: Cantabile in D Major, Op. 17	Niccolò Paganini, Maxim Vengerov, Ian Brown	A Major	1	11B	94 BPM
Violin Concerto in E Minor, Op. 64, MWV O 14: 3. Allegro non troppo - Allegro molto vivace	Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit	E Major	2	12B	88 BPM
The Planets, Op. 32: II. Venus, the Bringer of Peace	Gustav Holst, Radio Sinfonieorchester Stuttgart des SWR, Sir Roger Norrington	F Minor	0	4A	174 BPM
Violin Concerto In D Major, Op. 35: Violin Concerto In D Major, Op. 35: II. Canzonetta: Andante	Slovak Philharmonic, Takako Nishizaki, Pyotr Ilyich Tchaikovsky	E♭ Major	0	5B	177 BPM
Spanish Capriccio in A Major, Op. 34: II. Variazioni. Andante con moto	Nikolai Rimsky-Korsakov, Czech Philharmonic, Vladimír Válek	E Minor	1	9A	76 BPM
Souvenir d'un lieu cher, Op. 42: 3. Mélodie	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	E♭ Major	0	5B	99 BPM
Violin Concerto "Violin Concerto No. 2" in E Minor, Op. 64, IFM 196: II. Andante	Felix Mendelssohn, NewYork Philarmonic Orchestra, Jascha Heifetz, Guido Cantelli	C Major	2	8B	103 BPM
Sibelius: 2 Pieces from Kuolema, Op. 44: No. 1, Valse triste	Jean Sibelius, The Norwegian Radio Orchestra, Ari Rasilainen	D Minor	2	7A	90 BPM
Scheherazade, Op. 35: III. The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Neeme Järvi, Royal Scottish National Orchestra, Edwin Paling	G Major	1	9B	65 BPM
Berceuse, Op. 16	Gabriel Fauré, CSSR State Philharmonic Orchestra, Kosice, Keith Clark	C Major	0	8B	78 BPM
Orfeo et Eurydice: Mélodie for Piano Solo	Christoph Willibald Gluck, Giovanni Sgambati, James Rhodes	D Minor	0	7A	70 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante	Dmitri Shostakovich, Esa-Pekka Salonen, Yefim Bronfman, Thomas Stevens, Los Angeles Philharmonic	G Minor	1	6A	137 BPM
Traumerei am Meeresufer (arr. H. Geese)	Jacques Offenbach, Heinz Geese, Armin Fromm, Cologne West German Radio Orchestra	B♭ Major	1	6B	82 BPM
Klarinettenkonzert Nr. 1 f-Moll: II. Adagio ma non troppo	Carl Maria von Weber, Ernst Ottensamer, Slovak State Philharmonic Orchestra, Kosice, Johannes Wildner	C Major	0	8B	71 BPM