The Rake's Progress, Act II Scene 2: Recitative and Arioso. How strange! (Anne) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft Song Details

Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft's ' "The Rake's Progress, Act II Scene 2: Recitative and Arioso. How strange! (Anne)" was released on its scheduled release date, May 26, 2009. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 73 in the song's album "Stravinsky, I.: Rake's Progress (The) [Opera]". In this album, this song's track order is #34. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, The Rake's Progress, Act II Scene 2: Recitative and Arioso. How strange! (Anne) is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

BPM and Tempo

With The Rake's Progress, Act II Scene 2: Recitative and Arioso. How strange! (Anne) by Igor Stravinsky, Jayne West, Jon Garrison, Arthur Woodley, John Cheek, Shirley Love, Wendy White, Melvin Lowery, Jeffrey Johnson, Gregg Smith Singers, Orchestra of St. Luke's, Robert Craft having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -21.165 dB
Acousticness: 97%
Danceability: 41%
Energy: 18%
Instrumentalness: 0%
Liveness: 43%
Loudness: 65%
Speechiness: 6%
Valence: 54%

Recommendations

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Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	G Major	2	9B	87 BPM
Histoire du soldat Suite (the Soldier's Tale Suite): VIII. Petit / Grand Chorale	Igor Stravinsky, Rolf Schulte, William Blount, Christopher Gekker, Michael Powell, Frank Morelli, John Feeney, Gordon Gottlieb, Robert Craft	B Minor	1	10A	61 BPM
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La Mer, L.109: 3. Dialogue Of The Wind And The Sea	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	2	3B	83 BPM
Short Ride in a Fast Machine	John Adams, Berliner Philharmoniker, Alan Gilbert	E Minor	5	9A	146 BPM
Aladdin Suite, Op. 34, FS 89: VI. Dance of the Prisoners	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	E Minor	2	9A	107 BPM
L'Arlésienne Suite No. 1, WD 40: IV. Carillon	Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan	E Major	0	12B	65 BPM
Violin Concerto in D Minor, Op. 47: II. Adagio di molto	Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn	B♭ Major	1	6B	173 BPM
The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes	Igor Stravinsky, Teodor Currentzis, musicAeterna	G Major	4	9B	80 BPM
Simple Symphony, Op. 4: Frolicsome Finale	Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford	G Major	2	9B	155 BPM
The Rite of Spring: Part One: Adoration of the Earth: Game of Abduction	Igor Stravinsky, Teodor Currentzis, musicAeterna	D Minor	5	7A	96 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Minor	0	6A	111 BPM
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua	Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel	F♯ Major	0	2B	69 BPM
La Mer, L. 109: I. De l'aube à midi sur la mer	Claude Debussy, Valery Gergiev, London Symphony Orchestra	F♯ Major	0	2B	90 BPM
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	D Major	1	10B	82 BPM
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo	Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra	E♭ Major	1	5B	103 BPM