"Septet - Semplice e liberamente II" by John Metcalf, Eleanor Turner, Nicola Thomas, David Campbell, Philippa Davies had its release date on September 1, 2010. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Paths of Song". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Septet - Semplice e liberamente II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Septet - Semplice e liberamente II by John Metcalf, Eleanor Turner, Nicola Thomas, David Campbell, Philippa Davies having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Love's Labour's Lost, Op. 28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
| A Cotswold Hill Tune | Charles Wilfrid Orr, Royal Ballet Sinfonia, David Lloyd-Jones | E Minor | 0 | 9A | 76 BPM | ||
| Le Dernier Sommeil De La Vierge | Jules Massenet, Dave Loew | G Major | 2 | 9B | 118 BPM | ||
| A Song before Sunrise | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 135 BPM | ||
| A Successful Business | Marios Takoushis | E Minor | 0 | 9A | 76 BPM | ||
| Neon Waves | Lumi Risto | D Major | 1 | 10B | 130 BPM | ||
| Mapping Wales: Poco Allegro | John Metcalf, Catrin Finch, Raicho Christov, Bulgarian Chamber Orchestra | E♭ Major | 1 | 5B | 118 BPM | ||
| Pavane pour une infante défunte | Maurice Ravel, Richard Sebring, Boston Pops Orchestra, John Williams | G Major | 1 | 9B | 93 BPM | ||
| La doña del hotel | Gabriel Andrés Gallegos, Budapest Art Orchestra | E Major | 0 | 12B | 84 BPM | ||
| Cadenza für Violine und Klavier | Sophia Jani, Clarissa Bevilacqua, Martina Consonni | E Minor | 0 | 9A | 76 BPM | ||
| Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino | Wolfgang Amadeus Mozart, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter, Rose Stein | E Minor | 0 | 9A | 76 BPM | ||
| Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 5, Der Lindenbaum | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | D Major | 1 | 10B | 71 BPM | ||
| Poundbury | Tamara Konstantin, Yu-Mien Sun, Jiaxin Lloyd Webber | A Major | 1 | 11B | 102 BPM | ||
| Rota: Sonata for Flute and Harp: I. Allegro molto moderato | Nino Rota, Anneleen Lenaerts, Emmanuel Pahud | D Major | 1 | 10B | 82 BPM | ||
| Much Ado about Nothing Suite, Op. 11: IV. Intermezzo (Garden Scene) | Erich Wolfgang Korngold, Mineria Symphony Orchestra, Carlos Miguel Prieto | C Major | 0 | 8B | 108 BPM | ||
| Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Jeffrey Tate, English Chamber Orchestra | E Minor | 0 | 9A | 76 BPM | ||
| Void Whisper | Astrid Voix | D Major | 6 | 10B | 98 BPM | ||
| Sonata for Flute and Piano (Orchestrated by Sir Lennox Berkeley): I. Allegro malinconico - Remastered | Francis Poulenc, James Galway, Charles Dutoit | C Major | 1 | 8B | 84 BPM | ||
| Clarinet Concertino: II. Toada. Andantino non troppo | Francisco Mignone, Ovanir Buosi, Orquestra Sinfônica do Estado de São Paulo, Giancarlo Guerrero | C Major | 2 | 8B | 144 BPM | ||
| You Knew My Heart | O.R.S.M | G Minor | 1 | 6A | 134 BPM | ||
| Bethlehem Down (Arr. P. Lane) | Peter Warlock, Royal Ballet Sinfonia, Gavin Sutherland | C Minor | 1 | 5A | 67 BPM | ||
| Never Odd or Even for Six Pianos | John Metcalf, Jeroen van Veen | F Minor | 1 | 4A | 105 BPM | ||
| Gli uccelli, P. 154: II. La colomba. Andante expressivo (The Birds) | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 58 BPM | ||
| Petit Mari, petite Femme | Santec Music Orchestra | E♭ Major | 1 | 5B | 84 BPM | ||
| Septet - Largamente | John Metcalf, Eleanor Turner, Nicola Thomas, David Campbell, Philippa Davies | E♭ Major | 0 | 5B | 69 BPM |