"I Pagliacci, Act I Scene 1: Un tal gioco, credetemi" by Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic had its release date on February 19, 2021. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Lucine Amara, Franco Corelli, Tito Gobbi's "Leoncavallo: I Pagliacci" album is number 4 out of 24. On top of that, United States appears to be the country where this track was created. I Pagliacci, Act I Scene 1: Un tal gioco, credetemi is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Pagliacci, Act I Scene 1: Un tal gioco, credetemi by Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic to be Larghetto (rather broadly) because the track has a tempo of 62 BPM, a half-time of 31BPM, and a double-time of 124 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il barbiere di Siviglia / Act 1: E desso, o pur m'inganno | Gioachino Rossini, Ugo Benelli, Manuel Ausensi, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 2 | 8B | 80 BPM | ||
| Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | ||
| Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM | ||
| Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM | ||
| Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
| Donizetti: Lucia di Lammermoor, Act II Scene 2: Chi mi frena in tal momento (Edgardo, Enrico, Lucia, Raimondo, Alisa, Arturo, Chorus) | Gaetano Donizetti, Orchestra del Teatro Bellini di Catania, Fabrizio Maria Carminati, Mattia Olivieri, Riccardo Zanellato, Lisette Oropesa, Stefan Pop, Irene Savignano, Coro del Teatro Massimo Bellini di Catania, Didier Pieri | D Major | 2 | 10B | 141 BPM | ||
| Lucia di Lammermoor / Act 2: "Ah! cedi, cedi" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 2 | 6B | 87 BPM | ||
| La fanciulla del West, SC 78: Ch'ella mi creda | Giacomo Puccini, Jonathan Tetelman, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Major | 2 | 2B | 96 BPM | ||
| Donizetti: Don Pasquale, Act 1: "Pronta io son, purch'io non manchi" (Norina, Malatesta) | Gaetano Donizetti, Riccardo Muti, Gösta Winbergh, Leo Nucci, Mirella Freni, Philharmonia Orchestra | C Major | 2 | 8B | 83 BPM | ||
| Otello, Act I: Roderigo, ebben che pensi? - Live in Chicago & New York, 1991 | Giuseppe Verdi, Leo Nucci, John Keyes, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Minor | 1 | 12A | 171 BPM | ||
| Pagliacci, Act I Scene 3: Nedda! (Live) | Ruggero Leoncavallo, Mario Sereni, Metropolitan Opera Orchestra, Dimitri Mitropoulos, Lucine Amara | D♭ Major | 2 | 3B | 68 BPM | ||
| L'elisir d'amore / Act 2: "La donna è un animale...Venti scudi" | Gaetano Donizetti, Dominic Cossa, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | A Major | 1 | 11B | 74 BPM | ||
| Tosca, Act I: Or tutto è chiaro – Mario! Mario! | Giacomo Puccini, Eleonora Buratto, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Tosca, Act I: "Ah, quegli occhi!" - "Qual occhio al mondo" | Giacomo Puccini, Jonas Kaufmann, Sonya Yoncheva, Asher Fisch, Orchestra del Teatro Comunale di Bologna | D♭ Minor | 2 | 12A | 59 BPM | ||
| Andrea Chénier / Act 1: Il giorno intorno già s'insera lentamente! ... Via, | Umberto Giordano, Montserrat Caballé, Leo Nucci, Astrid Varnay, Kathleen Kuhlmann, National Philharmonic Orchestra, Riccardo Chailly | D Major | 1 | 10B | 79 BPM | ||
| Strauss, R: Der Rosenkavalier, Op. 59, Act I: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
| La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
| I Pagliacci, Act I Scene 2: Vesti la giubba | Lucine Amara, Franco Corelli, Tito Gobbi, Lovro Von Matacic | E Major | 2 | 12B | 80 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Part One): Infirma nostri corporis I | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Major | 2 | 1B | 86 BPM | ||
| Das Rheingold: Was zankst du, Alp? | Richard Wagner, Metropolitan Opera Orchestra, Fritz Stiedry, Herta Glaz, Lawrence Davidson, Erna Berger, Lucine Amara | F Major | 3 | 7B | 90 BPM | ||
| Lucia di Lammermoor / Act 1: "La pietade in suo favore" | Gaetano Donizetti, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 2 | 8B | 123 BPM | ||
| Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
| La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" | Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
| Serenade to Music (From "The Merchant of Venice, Act V, Scene 1"): Andante sostenuto | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic, George London, Shirley Verrett, Jon Vickers, Richard Tucker, Charles Bressler, Lucine Amara, Adele Addison, Lili Chookasian, Eileen Farrell, Ezio Flagello, Donald Bell | G Major | 1 | 9B | 107 BPM | ||
| Un ballo in maschera / Act 1: "Posa in pace" | Giuseppe Verdi, Leonardo Monreale, Nicolas Christou, Helen Donath, Luciano Pavarotti, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Bruno Bartoletti | B♭ Minor | 3 | 3A | 87 BPM |