Bernardo Pasquini, Rinaldo Alessandrini's ' "Canzona Franzese II" was released on its scheduled release date, April 1, 1991. With This song being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 33 in the song's album "Pasquini: Sonate per gravicembalo". In this album, this song's track order is #22. Furthermore, we believe that the track originated from France. In terms of popularity, Canzona Franzese II is currently unknown. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Canzona Franzese II by Bernardo Pasquini, Rinaldo Alessandrini having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Overture No. 6 in B-Flat Major: III. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Major | 1 | 2B | 117 BPM | ||
| Keyboard Concerto in G Minor, Wq. 6, H. 409: III. Allegro | Carl Philipp Emanuel Bach, Gerald Hambitzer, Concerto Köln | D Major | 0 | 10B | 96 BPM | ||
| Ouverture in E Minor, TWV 55:e1: VII. Gigue | Georg Philipp Telemann, Musica Amphion, Pieter-Jan Belder | E Major | 2 | 12B | 125 BPM | ||
| Rameau : La Guirlande : "La flûte est des soupirs le plus tendre interprète" [Myrtil, Chorus] | Jean-Philippe Rameau, William Christie, Cappella Coloniensis des WDR, Frauke Lukas | E♭ Major | 4 | 5B | 65 BPM | ||
| Trio Sonata in B Minor, Op. 3, No. 3: III. Lentement et Doux | Louis-Antoine Dornel, Lucile Boulanger, Simon Pierre, Olivier Fortin | B♭ Minor | 3 | 3A | 94 BPM | ||
| Canzona Franzese II | Bernardo Pasquini, Rinaldo Alessandrini | C Major | 6 | 8B | 100 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Couperin, L: Carillons, G. 141 | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | F Minor | 3 | 4A | 87 BPM | ||
| Missa "Trinitas in unitate veneranda", WerW B.1 (III/14): I. Kyrie Eleison | Gregor Joseph Werner, Magdalene Harer, Alex Potter, Hans-Jörg Mammel, Anton Haupt, La Festa Musicale, Anne Marie Harer | D♭ Minor | 1 | 12A | 179 BPM | ||
| Toccata con lo scherzo del cuculo | Bernardo Pasquini, Günther Fetz | A Major | 3 | 11B | 78 BPM | ||
| San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
| Almiro, e donde avviene (Live) | Bernardo Pasquini, Margherita Maria Sala, Morgan Pearse, Innsbrucker Festwochenorchester, Alessandro De Marchi | C Minor | 3 | 5A | 96 BPM | ||
| Canente: Sombre déesse du silence | Antoine Dauvergne, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D♭ Minor | 1 | 12A | 179 BPM | ||
| Credo, ZWV 32: I. Credo | Jan Dismas Zelenka, Collegium 1704, Collegium Vocale 1704, Vaclav Luks | D♭ Minor | 3 | 12A | 110 BPM | ||
| Allegro | Nicola Matteis, Gli Incogniti, Amandine Beyer | E♭ Minor | 3 | 2A | 131 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| Sonata in A Major, No. 6: I. Grave | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | E♭ Major | 1 | 5B | 137 BPM | ||
| Orphée et Eurydice, Wq. 41 (Paris Version), Acte I Scène 1: Chœur. Ah! Dans ce bois tranquille et sombre [reprise] | Christoph Willibald Gluck, Les Arts Florissants, Paul Agnew | C Major | 3 | 8B | 71 BPM | ||
| Sonata III in G-Moll, Op. 2, BuxWV 261: Sonata III in G-Moll, Op. 2, BuxWV 261: III. Andante [Passacaglia] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Florence Bolton, Benjamin Perrot | F♯ Minor | 2 | 11A | 130 BPM | ||
| Partite del Saltarello | Bernardo Pasquini, Rinaldo Alessandrini | G Major | 4 | 9B | 111 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: VI. Allmandt | Dietrich Becker, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Wonner | D♭ Major | 2 | 3B | 79 BPM | ||
| Miserere in C Minor (Version for Mixed Choir): V. Quoniam si voluisses | Johann Adolf Hasse, Accademia Barocca Lucernensis, Javier Ulises Illán | D Minor | 1 | 7A | 77 BPM | ||
| Jesu, meine Freude in E Minor, BuxWV 60: I. Sonata | Dietrich Buxtehude, Ensemble Masques, Olivier Fortin | E Minor | 1 | 9A | 167 BPM | ||
| Toccata del secondo tono | Bernardo Pasquini, Augusto Belau | F Minor | 4 | 4A | 131 BPM | ||
| Canzona francese in f fa ut | Bernardo Pasquini, Roberto Loreggian | A Major | 2 | 11B | 93 BPM |