On June 24, 2014, the song "Cuts" was released by Love, Robot. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 13 in B.A.D. by Love, Robot. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. The popularity of Cuts is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Cuts by Love, Robot is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Anchors Make Good Shoes (If You Have Issues) | Courage My Love | D♭ Major | 10 | 3B | 172 BPM | ||
| Bright | Elizabeth Grace | C Major | 8 | 8B | 136 BPM | ||
| Weak at the Knees | Have Mercy | D Major | 8 | 10B | 90 BPM | ||
| Elevator Days | Mixtapes | D♭ Minor | 4 | 12A | 129 BPM | ||
| Turn To Hate | Defeat The Low | G Major | 9 | 9B | 147 BPM | ||
| Why'd You Leave? | Machine Petals | A♭ Major | 5 | 4B | 164 BPM | ||
| On A Wire | FARRO | F Major | 8 | 7B | 100 BPM | ||
| Deceiver | Crystalyne | G Major | 7 | 9B | 170 BPM | ||
| Believe Me, I'm a Liar | The Hype Theory | D♭ Major | 9 | 3B | 170 BPM | ||
| Burn Them Down | Dream State | B♭ Minor | 9 | 3A | 83 BPM | ||
| Here, Now, Forever | Carousel Kings | F♯ Major | 9 | 2B | 160 BPM | ||
| Obvious | Bad Seed Rising | F♯ Minor | 10 | 11A | 103 BPM | ||
| One Of Them Will Destroy The Other | Mayday Parade, Dan Lambton | F Major | 9 | 7B | 144 BPM | ||
| Blood Orange | The American Scene | D Major | 9 | 10B | 129 BPM | ||
| The First Step Toward Giving Up | The Seafloor Cinema | B Minor | 9 | 10A | 75 BPM | ||
| Giants | Now, Now | D Major | 8 | 10B | 160 BPM | ||
| I'll Just Wait | Emarosa | C Major | 9 | 8B | 118 BPM | ||
| Tiger Eye | Pentimento | A Major | 7 | 11B | 132 BPM | ||
| This Is War | Stateside | B♭ Minor | 8 | 3A | 143 BPM | ||
| What Might Have Been | Crooks UK | G Minor | 9 | 6A | 131 BPM | ||
| Heavy With Envy | Eat Your Heart Out | F Major | 10 | 7B | 176 BPM | ||
| Brain Food | Milk Teeth | D♭ Major | 10 | 3B | 178 BPM | ||
| Lock & Key | Nominee | B♭ Minor | 9 | 3A | 118 BPM | ||
| Better Late Than Never | Eat Your Heart Out | A♭ Major | 10 | 4B | 84 BPM | ||
| Grid Lines | The Framed Lines | G Minor | 6 | 6A | 76 BPM |