"Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo" by Slovak Philharmonic, Antonín Dvořák had its release date on June 10, 1998. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 6 out of 45 in Football Classics - Classical Music That Celebrates The Great Game (1998 Edition) by Giuseppe Verdi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 9 In E Minor, Op. 95, B. 178, "From The New World": II. Largo by Slovak Philharmonic, Antonín Dvořák is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
| Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: No. 13, Dance of the Knights | Sergei Prokofiev, Toronto Symphony Orchestra, Jukka-Pekka Saraste | D Minor | 0 | 7A | 137 BPM | ||
| Verdi: La traviata, Act 1: Prelude | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | B Major | 0 | 1B | 125 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 4 | 5B | 85 BPM | ||
| Thais, Act II: Meditation (arr. M.P. Marsick) | Martin Pierre Marsick, Jules Massenet, Takako Nishizaki, Jenő Jandó | D Major | 1 | 10B | 84 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Enigma Variations, Op. 36: Theme. Andante | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 113 BPM | ||
| Adagio in G Minor "Albinoni's Adagio" | Remo Giazotto, Eriko Sato, Edward Brewer, Orpheus Chamber Orchestra | C Minor | 1 | 5A | 172 BPM | ||
| Romeo and Juliet, Op. 64, Act I: Dance of the Knights | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | C Major | 0 | 8B | 104 BPM | ||
| Vaughan Williams: Fantasia on a Theme by Thomas Tallis | Ralph Vaughan Williams, Sinfonia Of London, Sir John Barbirolli | G Major | 1 | 9B | 72 BPM | ||
| Fantasias Solitarias | Sirenas Celestiales | B Minor | 2 | 10A | 92 BPM | ||
| Wagner: Die Meistersinger von Nürnberg: Vorspiel | Richard Wagner, Bavarian State Orchestra, Wolfgang Sawallisch | A♭ Major | 1 | 4B | 91 BPM | ||
| 2 Pieces, Op. 12: Dainele: Grave | Slovak Philharmonic, Mikalojus Konstantinas Čiurlionis | E Minor | 0 | 9A | 82 BPM | ||
| Leichte Kavallerie (Light Cavalry) | Franz von Suppé, Slovak State Philharmonic Orchestra, Kosice | A Major | 3 | 11B | 117 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M 13: No. 9 Wedding March | Felix Mendelssohn, Philharmonia Orchestra, Sir Neville Marriner | C Major | 2 | 8B | 162 BPM | ||
| Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
| Guttersomne | Kenan Bauen, Kenap D | D Major | 1 | 10B | 139 BPM | ||
| Humoresque in G-Flat Major, Op. 101, B. 187 | Antonín Dvořák, Prague Symphony Orchestra, Václav Smetáček | B Major | 0 | 1B | 168 BPM | ||
| Excerpt From Adagio Quintet In C | Barrington Pheloung | B Major | 1 | 1B | 76 BPM | ||
| Beni Mora, Op. 29, No. 1: I. First Dance | Gustav Holst, Royal Scottish National Orchestra, David Lloyd-Jones | E♭ Major | 0 | 5B | 78 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 1, Introduction - No. 2, Dance of the Cock and Hens | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| Musetta's Waltz Song (La Boheme) | Geoff Love & His Orchestra | E Major | 1 | 12B | 86 BPM | ||
| Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | E Major | 1 | 12B | 82 BPM | ||
| The Crown of India, Op. 66: March of the Mogul Emperors | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 4 | 10A | 90 BPM |