"The Beach" by Bernard Herrmann had its release date on January 1, 1995. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vertigo (Original Motion Picture Score) by Bernard Herrmann. The song's track number on the album is #7 out of 14 tracks. In terms of popularity, The Beach is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Beach by Bernard Herrmann has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Beach being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
E♭ Minor is the music key of this track. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Grey Clouds | Dominic Harlan | B♭ Major | 0 | 6B | 72 BPM | ||
| La Legge Dei Gangsters | Piero Umiliani | D♭ Major | 4 | 3B | 136 BPM | ||
| Gluttony | Howard Shore | C Minor | 1 | 5A | 75 BPM | ||
| Musica Ricercata, II (Mesto, rigido e cerimoniale) (Reprise) | Dominic Harlan | G Minor | 0 | 6A | 76 BPM | ||
| The Comeback | Franz Waxman | F Major | 2 | 7B | 168 BPM | ||
| Smile - Love Theme and Closing Title | Charlie Chaplin, Alfred Newman | D Minor | 1 | 7A | 137 BPM | ||
| Future Markets | Jonny Greenwood | F Minor | 3 | 4A | 133 BPM | ||
| High and Low | Masaru Sato | C Major | 1 | 8B | 169 BPM | ||
| Martey's - Bande originale du film "Le samouraï" | François de Roubaix | G Major | 1 | 9B | 165 BPM | ||
| Main Title (from "Taxi Driver") | Bernard Herrmann | C Major | 2 | 8B | 80 BPM | ||
| Eastside Story | Trevor Duncan | F♯ Major | 4 | 2B | 133 BPM | ||
| A Beautiful Mine (Mad Men Theme) | David Carbonara | D Minor | 5 | 7A | 172 BPM | ||
| Streetcar | Alex North, Ray Heindorf | A♭ Major | 0 | 4B | 86 BPM | ||
| Laura | Charlie Parker | G Major | 3 | 9B | 84 BPM | ||
| King Of Hearts Le Repos | Georges Delerue | A Major | 2 | 11B | 87 BPM | ||
| Musica Ricercata, II - Mesto, rigido e cerimoniale | Dominic Harlan | G Minor | 0 | 6A | 76 BPM | ||
| Miss Lily Langtry - cue from The Life and Times of Judge Roy Bean | Maurice Jarre | A♭ Major | 1 | 4B | 72 BPM | ||
| Incontro la contessa | Bruno Nicolai, Edda Dell'Orso | E Minor | 0 | 9A | 80 BPM | ||
| Zorg et Betty | Gabriel Yared | G Major | 0 | 9B | 69 BPM | ||
| Soirée perdue - Bande originale du film "Pierrot le fou" | Antoine Duhamel | A Minor | 2 | 8A | 100 BPM | ||
| Hiroshima, mon Amour – part.2 | Giovanni Fusco | E Major | 0 | 12B | 66 BPM | ||
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM | ||
| Private Investigator | Graham De Wilde | E♭ Major | 2 | 5B | 132 BPM | ||
| Abstract Night | Umberto Smerilli | B♭ Minor | 1 | 3A | 140 BPM | ||
| Street Market / Love Scene | Michael Small | C Major | 2 | 8B | 95 BPM |