Ketaki Hiremath's ' "Swami Samarth Tarak Mantra" was released on its scheduled release date, November 10, 2019. This song appears to be safe for all ages as it is not explicit. There are a total of 4 in the song's album "Swami Samarth Tarak Mantra". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Based on our statistics, Swami Samarth Tarak Mantra's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Swami Samarth Tarak Mantra by Ketaki Hiremath having a BPM of 157 with a half-time of 78 BPM and a double-time of 314 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nesli G Bai Chandrakala | Bhagwan Lokre | E♭ Minor | 7 | 2A | 88 BPM | ||
| Mrityunjaya Stuti the Sounds for Healing | Ishan Shivanand, Avdhoot Shivanand | F Major | 6 | 7B | 140 BPM | ||
| Tuzya Namacha Gajar | Vikrant Warde | F♯ Minor | 4 | 11A | 173 BPM | ||
| Aamcha Morya Re | Keval Walanj | B Major | 3 | 1B | 150 BPM | ||
| Tuch Rajanan Tuch Sai | Ajit Kadkade | G Minor | 6 | 6A | 105 BPM | ||
| Majhe Maher Pandhari (Recreated) | Shameema Akhter feat.Shlok, Plaksha Wadekar | A Major | 7 | 11B | 103 BPM | ||
| Karagre Vasate Lakshmi | Nitya Antapur | A Minor | 2 | 8A | 79 BPM | ||
| Maagato Mee Panduranga | Prahlad Shinde | F Major | 9 | 7B | 99 BPM | ||
| Jay Jay Ramakrishna | Avadhoot Gupte, Guru Thakur | A♭ Minor | 6 | 1A | 83 BPM | ||
| Vida Ghya | Bharat Balvalli | E Major | 3 | 12B | 88 BPM | ||
| Swami Samarth Aarti - Jai Dev Jai Shri Swami Samarth | Sejal Marathe | D Minor | 6 | 7A | 85 BPM | ||
| Bhiu Nkos Mi Tujhya Pathishi Aahe | Swaroop Bhalwankar | F♯ Major | 4 | 2B | 132 BPM | ||
| Aadhi Ganala | Ajay-Atul, Ramanand Ugale | F♯ Major | 7 | 2B | 120 BPM | ||
| Sadguru Natha Haat Jodito | Amol Bavdekar | E♭ Major | 5 | 5B | 103 BPM | ||
| Karpur Gauram Karuna Avataram Sansar Saaram Bhujagendra Haaram Shiva Shloka | Vishal Khera | E♭ Major | 4 | 5B | 122 BPM | ||
| Datta Bavani by Swapnil Bandodkar | Swapnil Bandodkar | A♭ Major | 6 | 4B | 120 BPM | ||
| Ganpati Mazha Lalbagcha Raja Navsala Pavto | Amay Date | C Major | 6 | 8B | 113 BPM | ||
| Abhir Gulal Udhalit Rang | Jitendra Abhisheki | A Major | 5 | 11B | 95 BPM | ||
| Dam Dam Damaru Baje | Rishi Nityapragya | E Major | 8 | 12B | 152 BPM | ||
| Jaganyacha Paaya Chalanache Bal (From "Tukaram") | Ashok Patki, Dnyaneshwar Meshram | G Minor | 7 | 6A | 97 BPM | ||
| Gurucharitra - Adhyay - 14 | Vedachary Trilochanshastri Kale | F Minor | 3 | 4A | 132 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Sukhakarta Dukhaharta - Aarti | Suresh Wadkar | B♭ Major | 4 | 6B | 180 BPM | ||
| Omkar Pradhan Rup | Suman Kalyanpur | G Minor | 3 | 6A | 82 BPM | ||
| Durga Stotram | Srijan Chaterjee | F Minor | 7 | 4A | 160 BPM |