On 1954, the song "Dinah" was released by Jimmy Raney. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "RTL - Jimmy Raney". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. Based on our statistics, Dinah's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Dinah by Jimmy Raney having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| No blues | Horace Parlan | F Major | 3 | 7B | 91 BPM | ||
| Ecorah | Wes Montgomery Trio | E Major | 6 | 12B | 130 BPM | ||
| Empty Case Ensemble | Flow Tone | A♭ Major | 2 | 4B | 107 BPM | ||
| Funky Aviary | BirdKeys | C Major | 4 | 8B | 120 BPM | ||
| Yesterdays | Paul Gonsalves | A Minor | 1 | 8A | 120 BPM | ||
| Left Behind at Broome Street | Kenneth James Trio | E♭ Major | 0 | 5B | 116 BPM | ||
| Sugar Hill Bop | Wardell Gray, Al Haig, Charlie Perry, Jimmy Raney, Terry Swope, Tommy Potter | A♭ Major | 1 | 4B | 120 BPM | ||
| Warming Up | The Billy Taylor Trio | D♭ Major | 3 | 3B | 112 BPM | ||
| Jes' Fine | Tommy Flanagan Trio | C Minor | 2 | 5A | 170 BPM | ||
| And She Remembers Me | Tal Farlow | C Major | 3 | 8B | 120 BPM | ||
| What Is This Thing Called Love | Hampton Hawes Trio | C Minor | 3 | 5A | 113 BPM | ||
| Monochrome Workshop | BitSwing | G Minor | 1 | 6A | 129 BPM | ||
| Cherokee | Jimmy Raney | E♭ Major | 0 | 5B | 116 BPM | ||
| Rockin' Chair | Ray Bryant | F Minor | 2 | 4A | 79 BPM | ||
| Harlem Nocturne | JLT - Johan Leijonhufvud Trio, Johan Leijonhufvud, Johnny Åman, Niclas Campagnol | F Minor | 1 | 4A | 133 BPM | ||
| Too Marvelous for Words | Jimmy Raney | E♭ Major | 0 | 5B | 116 BPM | ||
| The Pilgrim | Elian Tumbao | F Major | 2 | 7B | 99 BPM | ||
| In A Sentimental Mood | Tommy Flanagan Trio | D Minor | 1 | 7A | 79 BPM | ||
| The Wind Hums in B Flat | Vivandis | B♭ Major | 2 | 6B | 80 BPM | ||
| Understand | Austyn Ziemann | A Minor | 1 | 8A | 118 BPM | ||
| Boar Stomp | Tjazzy | F Minor | 0 | 4A | 79 BPM | ||
| Spectrum Brass Ensemble | Darin Coley | E♭ Major | 0 | 5B | 116 BPM | ||
| I'm Getting Sentimental Over You | Vinnie Burke, Al Cohn, Eddie Costa, Urbie Green, Jimmy Raney, Vinnie Burke All-Stars | F Major | 1 | 7B | 76 BPM | ||
| Boundless Glow | Salma Del Sol | A♭ Major | 4 | 4B | 91 BPM | ||
| Late Session | Joseph Vany | G Minor | 0 | 6A | 53 BPM |