- BPM
- 80
- Key
- C Major
- Camelot
- 8B
I Wish It So by Marc Blitzstein, Dawn Upshaw Song Details
"I Wish It So" by Marc Blitzstein, Dawn Upshaw had its release date on July 29, 1994. The duration of This song is about 3 minutes long, at 3:20. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dawn Upshaw's "I Wish It So" album is number 1 out of 14. I Wish It So is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
We consider the tempo marking of I Wish It So by Marc Blitzstein, Dawn Upshaw to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 12%
- Loudness
- -23.05 dB
- Acousticness
- 99%
- Danceability
- 31%
- Energy
- 3%
- Instrumentalness
- 0%
- Liveness
- 6%
- Loudness
- 62%
- Speechiness
- 6%
- Valence
- 18%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Percussion Music: Rondino | Marc Blitzstein, Sarah Cahill, Del Sol Quartet | A♭ Major | 3 | 4B | 107 BPM | |
 | Soliloquy (From Carousel) | Gordon MacRae | A Minor | 2 | 8A | 123 BPM | |
 | Don Quichotte à Dulcinée: Chanson romanesque | Maurice Ravel, Paul Morand, Philippe Sly, Michael McMahon | B♭ Major | 0 | 6B | 115 BPM | |
 | Say not the struggle naught availaeth - Soprano & Piano Version | Hilgrove Kenrick, Jessica Maton | B♭ Minor | 0 | 3A | 108 BPM | |
 | The Mikado / Act 1: 20. Ye torrents roar! Ye tempests howl! | Arthur Sullivan, Valerie Masterson, Lyndsie Holland, Colin Wright, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | D Major | 3 | 10B | 104 BPM | |
 | Fontaines et sources, Op. 352: La grande cascade de Gavarnie | Darius Milhaud, Orchestre De La Société Des Concerts Du Conservatoire, Janine Micheau | D Major | 1 | 10B | 91 BPM | |
 | Sing For Your Supper | Original Broadway Cast "Boys From Syracuse" | G Minor | 3 | 6A | 155 BPM | |
 | Theme and Explorations for Orchestra: I. The Theme's the Thing | Dave Brubeck, Chris Brubeck, The Moores Symphony Orchestra, Franz Anton Krager | D♭ Major | 3 | 3B | 140 BPM | |
 | You'll Never Walk Alone | Renée Fleming | C Major | 2 | 8B | 79 BPM | |
 | I Want Yer, Ma Honey | Julie Fuchs | E♭ Major | 2 | 5B | 87 BPM | |
 | Regina / Act 1: Birdie | Marc Blitzstein, Sheri Greenawald, Theresa Merritt, David Kübler, James Maddalena, Scottish Opera Orchestra, John Mauceri | B♭ Major | 1 | 6B | 99 BPM | |
 | Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | A Minor | 3 | 8A | 79 BPM | |
 | Manon, Act II: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM | |
 | Mack The Knife - Remastered Album Version | Bertolt Brecht, Marc Blitzstein, Kurt Weill, Jerry Orbach | A Minor | 2 | 8A | 78 BPM | |
 | Cadman: 2 Songs, Op. 29: No. 1, At Dawning | Charles Wakefield Cadman, Thomas Hampson, Kenneth Sillito, Armen Guzelimian | A Minor | 3 | 8A | 79 BPM | |
| Regina / Act 2: Waltz | Marc Blitzstein, Katherine Ciesinski, Scott Cooper, Scottish Opera Orchestra, John Mauceri | B♭ Major | 1 | 6B | 85 BPM | |
 | The Airborne Symphony: Part III: Chorus of the Rendezvous | Marc Blitzstein, Leonard Bernstein, New York City Symphony Orchestra | A Minor | 4 | 8A | 140 BPM | |
 | My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | |
 | Mozart: Die Zauberflöte, K. 620, Act 2: "Papagena! Weibchen! Täubchen!" (Papageno, Die drei Knaben) | Wolfgang Amadeus Mozart, Huw Montague Rendall, Ben Glassberg, Opéra Orchestre Normandie Rouen, Benjamin Gilbert, Oliver Barlow, Sam Jackman | E♭ Major | 0 | 5B | 100 BPM | |
 | The Medium, Act I: "the Sun has fallen" (Monica) | Gian Carlo Menotti, Patrice Michaels, Joyce Castle, Diane Ragains, Peter Van De Graaff, Barbara Landis, Joanna Lind, Chicago Opera Theater Ensemble, Lawrence Rapchak | G Minor | 0 | 6A | 72 BPM | |
 | Why Can't You Behave | Ann Miller | F Major | 2 | 7B | 124 BPM | |
 | Here Comes The Morning | Iain Glen, Matt Rawle | F♯ Major | 2 | 2B | 62 BPM | |
 | Wunderbar | Broadway Cast Recording | A Minor | 2 | 8A | 97 BPM | |
 | The Soldier's Dream | Micaela Diamond, Jin Ha, 'Here We Are' Original Cast | C Major | 3 | 8B | 146 BPM | |
| Ballroom: Fifty Percent | Billy Goldenberg, Dorothy Loudon, Les Scott | E♭ Major | 3 | 5B | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records