Victor M. Rosa's 'Tarantos: Sólo Guitarra 77' had a release date set for August 1, 2022. This song appears to be safe for all ages as it is not explicit. The song is number 11 out of 15 in Escuela de Flamenco: Tarantos (Cristina Hoyos Present) by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. In terms of popularity, Tarantos: Sólo Guitarra 77 is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Tarantos: Sólo Guitarra 77 by Victor M. Rosa is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bulerías | Fernando De La Morena, Spain | E Minor | 5 | 9A | 114 BPM | ||
| Moon River | Andrés Cansino, Jesus Bachiller "Bachi", Miguel "El Nene" | F Minor | 6 | 4A | 150 BPM | ||
| El Costero De La Virgen | Jose León, Pepe El Marismeño | E♭ Minor | 6 | 2A | 123 BPM | ||
| Hablo Con Mi Dios y Le Digo (Tientos) [with. Justo de Badajoz] | Jacinto Almaden, Justo De Badajoz | C Minor | 3 | 5A | 134 BPM | ||
| Escobilla Media: Baile y Guitarra | Remedios Reyes, Victor M. Rosa | D♭ Major | 5 | 3B | 99 BPM | ||
| Bulería al Golpe | Felipa del Moreno | A Minor | 8 | 8A | 134 BPM | ||
| Que Vamos de Romería (Fandangos) | Antonio Mairena, Paco Aguilara | A Major | 7 | 11B | 118 BPM | ||
| Tangos Solo Compás = 144 | Juana Amaya, Adela Campallo | G Major | 4 | 9B | 170 BPM | ||
| Tu Corazón Y El Mío - Alegrías | Fosforito | G Major | 3 | 9B | 104 BPM | ||
| Pinini (Cantiñas) - Live | Argentina | D Major | 5 | 10B | 81 BPM | ||
| Recuerdo a la Charo | Antonio de la Malena | F♯ Minor | 6 | 11A | 120 BPM | ||
| Guajiras: Letra por Colombianas | Juan María Real, Ana Real, Manuel Salado | A Major | 6 | 11B | 74 BPM | ||
| Porque una Madre Se Olvida - Fandangos | Pepe Pinto | F♯ Major | 8 | 2B | 125 BPM | ||
| Dio La Vuelta Al Mundo (Tangos De Málaga) | Yeye De Cadiz | B♭ Minor | 4 | 3A | 140 BPM | ||
| Estación Jabugo - Galaroza (Fandangos) | Argentina | F♯ Major | 3 | 2B | 143 BPM | ||
| Escobilla Lenta: Sólo Guitarra 80 (Caña) | Victor M. Rosa | F♯ Minor | 3 | 11A | 125 BPM | ||
| A Las Claritas del Dia (feat. Eduardo de la Malena) - Fandangos natural | El Cabrero, Eduardo De La Malena | F♯ Major | 4 | 2B | 113 BPM | ||
| Al Mismo Juego (Soleá al Golpe) - Live | Argentina | D Major | 5 | 10B | 81 BPM | ||
| Mi Perra Valiente | Paco Toronjo | F Minor | 4 | 4A | 146 BPM | ||
| Fandangos de la Paquera de Jerez (feat. Juanito Serrano) | La Paquera De Jerez, Juanito Serrano | B Major | 3 | 1B | 145 BPM | ||
| La Primera Bulería | Montse Cortés, José del Tomate, Ané Carrasco | C Major | 6 | 8B | 118 BPM | ||
| Alegrías (solo Compás) = 120 | Juana Amaya, José Galván | G Minor | 4 | 6A | 240 BPM | ||
| Cante Grande por Seguidillas: A Clavito y Canela | Tomás Pavón, Niño Ricardo | C Major | 3 | 8B | 91 BPM | ||
| Málaga La Bella | Los Niños Del Sur | F Major | 5 | 7B | 100 BPM | ||
| Alegrías: Escobilla 1ª Parte | Juan María Real, Manuel Salado | D♭ Major | 5 | 3B | 99 BPM |