Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet's ' "Violin Concerto No. 2 in E Major, Op. 9: III. Rondo" was released on its scheduled release date, October 2, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rode: Violin Concertos Nos. 2 & 8". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Violin Concerto No. 2 in E Major, Op. 9: III. Rondo's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Violin Concerto No. 2 in E Major, Op. 9: III. Rondo by Pierre Rode, Friedemann Eichhorn, Jena Philharmonic Orchestra, Nicolás Pasquet having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dvorak: Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo | Antonín Dvořák, Augustin Hadelich, Jakub Hrůša, Bavarian Radio Symphony Orchestra | D Minor | 1 | 7A | 56 BPM | ||
| Fantasia No. 1 in B-Flat Major, TWV 40:14: I. Largo | Georg Philipp Telemann, Federico Guglielmo | A Major | 0 | 11B | 107 BPM | ||
| Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | C Minor | 1 | 5A | 83 BPM | ||
| La Folia - Arranged for Cello and Accordeon | Mario Brunello, Ivano Battiston | C Major | 0 | 8B | 141 BPM | ||
| No. 1, Allegretto scherzando | Antonín Dvořák, Scharoun Ensemble | G Minor | 1 | 6A | 93 BPM | ||
| 9 Studies: No. 1, Allegro agitato | Charles-Auguste de Bériot, Bella Hristova | E Minor | 1 | 9A | 128 BPM | ||
| Violin Concerto No. 1 in D Major, Op. 7: I. Allegro moderato - Allegretto | Friedrich Seitz, Hyejin Chung, Warren Lee | F Major | 1 | 7B | 112 BPM | ||
| Perpetual Motion, Op. 28 | Jayda Leysath, Yaroslav Medvedev-Taraldset | G Minor | 5 | 6A | 103 BPM | ||
| Violin Concerto No. 7 in A Minor, Op. 9: II. Adagio | Pierre Rode, Friedemann Eichhorn, SWR Rundfunkorchester Kaiserslautern, Nicolás Pasquet | G Major | 1 | 9B | 104 BPM | ||
| Grand Caprice on Schubert's Der Erlkönig, Op. 26 | Heinrich Wilhelm Ernst, Jiří Vodička | G Minor | 2 | 6A | 88 BPM | ||
| 12 Scenes or Caprices, Op. 109: No. 7, Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 2 | 8A | 83 BPM | ||
| Fiocco: Harpsichord Suite No. 1: X. Allegro (Arr. for Violin and Piano by Arthur Bent and Norman O'Neill) [from "24 Pièces de clavecin", Op. 1] | Joseph-Hector Fiocco, Itzhak Perlman, Samuel Sanders | G Major | 3 | 9B | 134 BPM | ||
| Sonata Appassionata | Jayda Leysath, Yaroslav Medvedev-Taraldset | G Minor | 4 | 6A | 120 BPM | ||
| Capriccio for Viola Solo in C Minor, Op. 55 "Hommage à Paganini" | Henri Vieuxtemps, Vidor Nagy | A♭ Major | 0 | 4B | 80 BPM | ||
| Viola Concerto in D Major: II. Adagio | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Minor | 0 | 7A | 175 BPM | ||
| Cello Sonata No. 1 in E Minor, Op. 38 No. 1 (Arr. for 2 Cellos): I. Allegro non troppo | Bernhard Romberg, VC2 Cello Duo | E Minor | 3 | 9A | 133 BPM | ||
| String Quartet No. 14 in D Minor, D. 810 "Der Tod und das Mädchen": IV. Presto – Prestissimo | Franz Schubert, Jerusalem Quartet | D Minor | 1 | 7A | 91 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| 6 Sonatas for Violin Solo, Op. 27 / Sonata No. 1 in G Minor: IV. Finale con brio | Eugène Ysaÿe, Hilary Hahn | G Major | 1 | 9B | 97 BPM | ||
| Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
| String Quartet No. 1 in E Flat Major, Op. 12, MWV R 25: II. Canzonetta: Allegretto | Felix Mendelssohn, Emerson String Quartet | G Major | 1 | 9B | 142 BPM | ||
| Haydn: String Quartet in D Minor, Op. 76 No. 2, Hob. III:76 "Fifths": III. Menuetto | Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
| Spohr: Duo Concertante in D Major, Op. 67 No. 2: I. Allegro | Louis Spohr, Itzhak Perlman, Pinchas Zukerman | D Major | 2 | 10B | 130 BPM | ||
| Sonata for Violin and Piano: II. Largo sostenuto | Nino Rota, Alessio Bidoli, Bruno Canino | B♭ Major | 2 | 6B | 36 BPM | ||
| Viola Concerto in D Major: I. Allegro | Franz Anton Hoffmeister, Hariolf Schlichtig, Munich Chamber Orchestra | D Major | 1 | 10B | 129 BPM |