"Enemy Slayer, a Navajo Oratorio, Scene 1" by Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie had its release date on March 31, 2009. This song appears to be safe for all ages as it is not explicit. The track order of this song in Mark Grey, Michael Christie, Phoenix Symphony's "Grey, M.: Enemy Slayer: A Navajo Oratorio" album is number 2 out of 5. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Enemy Slayer, a Navajo Oratorio, Scene 1's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Enemy Slayer, a Navajo Oratorio, Scene 1 by Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Phantasy Quintet: III. Alla Sarabanda: Lento | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E♭ Minor | 10 | 2A | 123 BPM | ||
| Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | ||
| Enemy Slayer, a Navajo Oratorio, Scene 1 | Mark Grey, Scott Hendricks, Phoenix Symphony Chorus, Phoenix Symphony, Michael Christie | B♭ Major | 1 | 6B | 130 BPM | ||
| Bangalter: Mythologies: IX. Zeus | Thomas Bangalter, Romain Dumas, Orchestre National Bordeaux Aquitaine | D♭ Major | 1 | 3B | 120 BPM | ||
| Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | B♭ Major | 8 | 6B | 140 BPM | ||
| Toccata & Fugue in D Minor, BWV 565 | Johann Sebastian Bach, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 2 | 7A | 93 BPM | ||
| Violin Concerto No.1, Sz 36, Op. posth.: Violin Concerto No.1, Sz 36, Op. posth.: I. Andante sostenuto | Béla Bartók, Isabelle Faust, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 0 | 10B | 65 BPM | ||
| Symphony No. 1, "Afro-american": I. Longing (Moderato assai) | William Grant Still, Fort Smith Symphony | A♭ Major | 0 | 4B | 81 BPM | ||
| Kaonashi (No Face) | Joe Hisaishi | F Minor | 3 | 4A | 160 BPM | ||
| Over the Rainbow (Arr. for String Quartet by William Ryden) | Harold Arlen, Miró Quartet | C Major | 1 | 8B | 84 BPM | ||
| Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: I. Andantino | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
| String Quartet No. 14 in C-Sharp Minor, Op. 131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Takács Quartet | A♭ Minor | 0 | 1A | 87 BPM | ||
| リュートのための古風な舞曲とアリア 第3組曲 第3曲:シチリアーナ | Fumiaki Miyamoto, オーケストラMAP'S | A♭ Minor | 5 | 1A | 135 BPM | ||
| Music for Strings, Percussion and Celesta - From "The Shining" | Béla Bartók, The City of Prague Philharmonic Orchestra, James Fitzpatrick, Nicholas Charles Raine | G Major | 1 | 9B | 77 BPM | ||
| String Quartet, Op. 11: II. Molto adagio | Samuel Barber, Ying Quartet | A Minor | 0 | 8A | 79 BPM | ||
| Grieg: 4 Symphonic Dances, Op. 64: II. Allegretto grazioso | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | A Major | 1 | 11B | 88 BPM | ||
| Roussel: String Trio, Op. 58: II. Adagio | Albert Roussel, Trio à cordes de Paris | G Major | 1 | 9B | 77 BPM | ||
| Cold Song’ (What Power Art Thou...) | Henry Purcell, VOCES8, Les Inventions, Dingle Yandell | E Minor | 1 | 9A | 134 BPM | ||
| Lamentate: I. Minacciando | Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart | C Major | 0 | 8B | 72 BPM | ||
| Les Indes galantes, Quatrième entrée: Danse des sauvages, dans le goût du concerto | Jean-Philippe Rameau, Yves Rechsteiner, Henri-Charles Caget, Vincent Bernhardt | F Minor | 2 | 4A | 77 BPM | ||
| Holst : The Planets Op.32 : V Saturn, the Bringer of Old Age | Giuseppe Verdi, Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | C Major | 0 | 8B | 72 BPM | ||
| Concertino bianco: 3. Con anima | Georgs Pelēcis, Johannes Fritzsch, Tamara Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 3 | 8B | 133 BPM | ||
| A Distant Discovery - Instrumental | James Horner | D Major | 1 | 10B | 93 BPM | ||
| Fratres (for violin and piano) | Arvo Pärt, Vadim Gluzman, Angela Yoffe | G Major | 0 | 9B | 148 BPM | ||
| Chamber Symphony No. 5 in A-Flat Major, Op. 118a: III. Adagio | Dmitri Shostakovich, Yuli Turovsky, I Musici de Montréal | A Minor | 0 | 8A | 86 BPM |