Harry Partch's 'Kithara II' had a release date set for 1969. With This song being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 19 in the song's album "The World of Harry Partch". In this album, this song's track order is #13. In terms of popularity, Kithara II is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.
With Kithara II by Harry Partch having a BPM of 109 with a half-time of 54 BPM and a double-time of 218 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Rothko Chapel 2 | Morton Feldman | B Minor | 0 | 10A | 141 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
| Cloudscape | Philip Glass | F Major | 2 | 7B | 101 BPM | ||
| Andante con noto | Krzysztof Penderecki, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 0 | 8B | 114 BPM | ||
| Cos I Am a Really Complicated Racoon | Marina Frescobaldi | D♭ Major | 2 | 3B | 167 BPM | ||
| Airstream Envy | Erik Friedlander | F Major | 3 | 7B | 135 BPM | ||
| The Banshee | Henry Cowell, Cheryl Seltzer, Continuum | C Major | 0 | 8B | 174 BPM | ||
| Bold | QUEEN TSAKY | A Major | 8 | 11B | 169 BPM | ||
| Symphonie pour un homme seul: Erotica | Pierre Henry, Pierre Schaeffer | B Minor | 9 | 10A | 89 BPM | ||
| Morton Feldman: Madame Press Died Last Week At Ninety | Morton Feldman, John Adams, Orchestra of St. Luke's | A♭ Major | 0 | 4B | 69 BPM | ||
| Modern chorusmusic: Lux Aeterna | György Ligeti, Helmut Franz, Chor des Norddeutschen Rundfunks | A Minor | 1 | 8A | 66 BPM | ||
| Lidia After The Snow | Roberto Musci | E♭ Major | 7 | 5B | 84 BPM | ||
| The Invasion Of Poland | John Lurie | D♭ Minor | 1 | 12A | 123 BPM | ||
| Fine Culture - Slowed | Fine Culture | D♭ Minor | 2 | 12A | 110 BPM | ||
| 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
| Ulysses at the Edge | Harry Partch, Partch Ensemble | A Minor | 1 | 8A | 116 BPM | ||
| Ostinato #3 | Ernst Reijseger | G Major | 1 | 9B | 81 BPM | ||
| Piano Piece 1952 - Version 2 | Morton Feldman, Murcof, Vanessa Wagner | D♭ Major | 3 | 3B | 63 BPM | ||
| The Lonely Cello | Season Of Glass | G Major | 2 | 9B | 153 BPM | ||
| Delusion of the Fury, Act I: Treats with Death and with Life Despite Death: Emergence of the Spirit | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | A Minor | 1 | 8A | 121 BPM | ||
| Skocne | Black Ox Orkestar | F Major | 3 | 7B | 137 BPM | ||
| Light Is Calling | Michael Gordon | A♭ Major | 3 | 4B | 84 BPM | ||
| Autopilot | JJ Sabado | A Major | 1 | 11B | 134 BPM | ||
| Across the Lake of the Ancient World | Terry Riley | B Minor | 1 | 10A | 55 BPM |