Traditional, Clare College Singers, John Rutter, Clare College Orchestra's ' "Traditional / Arr Rutter: Angel Tidings" was released on its scheduled release date, 1988. With This song being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 24 in the song's album "Rutter: Carols from Clare". In this album, this song's track order is #3. Based on our statistics, Traditional / Arr Rutter: Angel Tidings's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Traditional / Arr Rutter: Angel Tidings by Traditional, Clare College Singers, John Rutter, Clare College Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elgar: Ave Verum Corpus | Edward Elgar, Choir of New College, Oxford, Edward Higginbottom | G Major | 2 | 9B | 172 BPM | ||
| Totuuden henki | Traditional, SRK Instrumentaali | G Major | 1 | 9B | 67 BPM | ||
| The Day You Gave Us, Lord, Is Ended (Arr. Michael Leighton Jones) | The Choir of Trinity College, Melbourne, Jonathan Bradley, Michael Leighton Jones | G Major | 2 | 9B | 83 BPM | ||
| Traditional: Ad Completorium: Hymnus "Te lucis ante terminum" | Traditional, Cistercian Monks of Stift Heiligenkreuz | F♯ Major | 0 | 2B | 144 BPM | ||
| Clérambault: Hodie Christus natus est, motet pour le jour de Noël, à deux voix égales | Louis-Nicolas Clérambault, Les Demoiselles de Saint-Cyr/Sylvie Moquet/Emmanuel Mandrin, Emmanuel Mandrin | G Major | 1 | 9B | 133 BPM | ||
| Et misericordia | Haderslev Domkirkes Pigekor, Thomas Berg-Juul, Julia Tabakova, Jonas Hellesøe, Anne Mette Balling, Strygerensemble fra Sønderjyllands Symfoniorkester | D Major | 2 | 10B | 179 BPM | ||
| Houd Mij Vast | Pieter Jan Leusink, Urker Mannen Ensemble, Chr. Brassband Pro Rege, Siemen Hoekstra | E Minor | 1 | 9A | 91 BPM | ||
| O du stille Zeit | Sjaella | B♭ Major | 0 | 6B | 70 BPM | ||
| Traditional Slavic Christmas Music | Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | A Minor | 0 | 8A | 78 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Emmanuel | Barbara Higbie | D Minor | 1 | 7A | 104 BPM | ||
| Gregorian Chants Relaxing Spiritual Benedictine | Capella Gregoriana Easo, Byzantine Choir, Traditional | F Major | 2 | 7B | 106 BPM | ||
| I Have Never Loved Someone: I Have Never Loved Someone (Arr. for Choir by Nate Thacher) | Shara Nova, Conspirare, Craig Hella Johnson | E Major | 1 | 12B | 175 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| Bænhús | Sigurður Flosason, Schola Cantorum, Hörður Áskelsson | E Minor | 1 | 9A | 149 BPM | ||
| Ecce Agnus Dei | Choeur des moines de l'abbaye Notre Dame de Fontgombault, The Schola Cantorum of St. Peter's in the Loop, Lege Artis Chamber Choir, Father Michaels | E♭ Major | 2 | 5B | 67 BPM | ||
| Victimae Paschali Laudes | Public Domain, Cantores in Ecclesia, Dean Applegate | C Major | 1 | 8B | 112 BPM | ||
| Domine ad adjuvandum | Jacobus Gallus, Pro Musica, Szabó Dénes | E♭ Major | 1 | 5B | 136 BPM | ||
| O Dawel Dinas Bethlehem (Cantorion Clwyd), | Cantorion Clwyd | D♭ Major | 2 | 3B | 76 BPM | ||
| Keep Watch with Me | Margaret Rizza | G Minor | 1 | 6A | 67 BPM | ||
| Venite, Gaudete! | Adrian Peacock, National Youth Choir Of Great Britain, Mariana Rosas | A Major | 1 | 11B | 77 BPM | ||
| Let all mortal flesh keep silent | Traditional, Choir of St George's Chapel, Windsor Castle, Marlowe Brass Ensemble, Timothy Byram-Wigfield | B♭ Major | 1 | 6B | 83 BPM | ||
| Som hjorten törstar | Sven-Erik Bäck, Swedish Chamber Choir, Simon Phipps | D Major | 2 | 10B | 87 BPM | ||
| Alkukuoro, Vuorten Ylle Aurinko on Noussut (Suuri Kalansaalis) | Oulun kamariorkesteri, Cantio Laudis -kuoro | C Minor | 1 | 5A | 76 BPM | ||
| The Mass: Qui Tollis | Patrick Cassidy | A Major | 2 | 11B | 85 BPM |