"Hand To Hand Combat - From The "Jaws" Soundtrack" by John Williams had its release date on January 1, 1975. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Hand To Hand Combat - From The "Jaws" Soundtrack's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Williams's "Jaws (Music From The Original Motion Picture Soundtrack)" album is number 11 out of 12. Based on our statistics, Hand To Hand Combat - From The "Jaws" Soundtrack's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hand To Hand Combat - From The "Jaws" Soundtrack by John Williams to be Allegro (fast, quick, and bright) because the track has a tempo of 131 BPM, a half-time of 66BPM, and a double-time of 262 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pelagia's Song | Stephen Warbeck, Orchestra, Nick Ingman | C Major | 2 | 8B | 79 BPM | ||
| Skull And Crossbones | Klaus Badelt | D Minor | 6 | 7A | 140 BPM | ||
| The Far Side of the World | Iva Davies, Richard Tognetti, Christopher Gordon | C Major | 3 | 8B | 132 BPM | ||
| Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
| Humans / Diego | David Newman | G Major | 3 | 9B | 80 BPM | ||
| Rowing | Jóhann Jóhannsson | G Minor | 3 | 6A | 138 BPM | ||
| Building The Barn - From "Witness" | Maurice Jarre | A♭ Major | 2 | 4B | 83 BPM | ||
| Downton Abbey - The Suite - From “Downton Abbey” Soundtrack | The Chamber Orchestra Of London | A Minor | 3 | 8A | 166 BPM | ||
| Main Title | Elmer Bernstein | B♭ Major | 3 | 6B | 118 BPM | ||
| Stargate Sg-1: Main Title | Original Soundtrack | E Major | 1 | 12B | 78 BPM | ||
| One Hundred and One Dalmatians (Main Titles) / Good Morning, Pongo / Walking The Dog | Michael Kamen | C Major | 1 | 8B | 109 BPM | ||
| Hey Mando! | Ludwig Göransson | C Minor | 1 | 5A | 80 BPM | ||
| Go The Distance - From "Hercules" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 85 BPM | ||
| A Window to the Past | John Williams | A Minor | 0 | 8A | 107 BPM | ||
| The Maze Runner | John Paesano, Pete Anthony, American Federation of Musicians | D Minor | 5 | 7A | 145 BPM | ||
| Hogwarts' Hymn | Patrick Doyle | G Major | 2 | 9B | 68 BPM | ||
| The Gifts | Basil Poledouris | F Major | 1 | 7B | 113 BPM | ||
| Anthem, Pt. 2 | Philip Glass | D Major | 1 | 10B | 100 BPM | ||
| Jurassic Park Gate | John Williams | B♭ Minor | 0 | 3A | 176 BPM | ||
| Boo's Going Home | Randy Newman | B Major | 1 | 1B | 138 BPM | ||
| Theme (From "The Magnificent Seven") - From "The Magnificent Seven" | Elmer Bernstein | B♭ Major | 6 | 6B | 86 BPM | ||
| Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 79 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| A Lannister Always Pays His Debts | Ramin Djawadi | D Minor | 3 | 7A | 86 BPM | ||
| One Hundred Years Of Downton - From "Downton Abbey" | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 81 BPM |