ダニエル・ルブラン's ' "Chronic Fatigue" was released on its scheduled release date, July 4, 2019. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Score Music Library From Daniel LeBlanc (Vol.1 Fringe)". In this album, this song's track order is #40. Furthermore, we believe that the track originated from Japan. The popularity of Chronic Fatigue is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Chronic Fatigue by ダニエル・ルブラン having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Modern Times "Smile" - Theme - Arr. for Solo Cello by Christian-Pierre La Marca | Christian-Pierre La Marca | F Major | 0 | 7B | 86 BPM | ||
| Winter Meditation (after The Four Seasons, Violin Concerto, RV 297: II. Largo) | Antonio Vivaldi, Eldbjørg Hemsing, Hestia String Quartet | E♭ Major | 3 | 5B | 174 BPM | ||
| Snow White: III. Evil Queen’s Promenade | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov, Nikolay Donskoy | G Major | 2 | 9B | 78 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): Introduction. Allegro moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | E Major | 3 | 12B | 77 BPM | ||
| Recueil de chants, Op. 65: No. 6, Barcarolle | Charles-Valentin Alkan, Bruce Liu | G Minor | 0 | 6A | 70 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| Simple Symphony, Op. 4: II. Playful Pizzicato | Benjamin Britten, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 2 | 8B | 175 BPM | ||
| Adagio from Violin Sonata in G Minor, Op. 5 No. 5 (Arr. Leopold Stokowski) | Arcangelo Corelli, Matthias Bamert, BBC Philharmonic | G Minor | 0 | 6A | 175 BPM | ||
| Spartacus: Scene of the Gaditanae Maidens | Aram Khachaturian, Wiener Philharmoniker | C Major | 5 | 8B | 74 BPM | ||
| Schwanengesang, D. 957: No. 4, Ständchen (Arr. for Mandolin & Harp by Alon Sariel) | Franz Schubert, Alon Sariel, Anne-Sophie Bertrand | D Major | 1 | 10B | 73 BPM | ||
| The River | World Of Woe | F♯ Major | 1 | 2B | 96 BPM | ||
| Le grand cahier: XII. La séparation | Alexander Litvinovsky, Metamorphose String Orchestra, Pavel Lyubomudrov | B♭ Major | 2 | 6B | 81 BPM | ||
| Symphony in B-Flat Major, Hob. I:102: IV. Finale. Presto | Joseph Haydn, Ádám Fischer, Österreichisch-Ungarische Haydn Philharmonie | E Major | 3 | 12B | 77 BPM | ||
| Estrellita (Arr. Campbell for Violin, Guitar, Accordion & Cello) | Manuel Ponce, Nicola Benedetti, Plínio Fernandes, Samuele Telari, Thomas Carroll | E Major | 1 | 12B | 112 BPM | ||
| Piccola reminiscenza | Giacomo Cataldo | B♭ Minor | 1 | 3A | 92 BPM | ||
| Rêve Astral | Etoilee | F Minor | 8 | 4A | 119 BPM | ||
| Bach, JS / Arr. Paillard: Erbarm dich mein, o Herre Gott, BWV 721 | Johann Sebastian Bach, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | B Minor | 0 | 10A | 75 BPM | ||
| Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B Major | 0 | 1B | 119 BPM | ||
| Dancing Doll - Clarinet and String Orchestra | Michele Mangani, Seunghee Lee, Manhattan Chamber Players | B♭ Major | 1 | 6B | 137 BPM | ||
| Ethereal Reverie | Sebastian Verneau | D Major | 3 | 10B | 153 BPM | ||
| Pavana-Capricho, Op. 12 | Isaac Albéniz, Alicia de Larrocha | E Major | 1 | 12B | 77 BPM | ||
| The Tempest, Op. 109: III. Allegretto grazioso | Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra | G Major | 3 | 9B | 110 BPM | ||
| Haydn: The Seven Last Words of Christ, Hob. XX:1: Introduction. Maestoso ed adagio | Joseph Haydn, Sir Neville Marriner, Academy of St. Martin in the Fields | D Minor | 0 | 7A | 68 BPM | ||
| Salomea | Jasmin Reuter, World Chamber Orchestra | A♭ Major | 2 | 4B | 122 BPM | ||
| Double Bass Concerto in A Major: I. Allegro moderato | Domenico Dragonetti, Massimo Giorgi, I Solisti Aquilani, Vittorio Antonellini | A Major | 1 | 11B | 120 BPM |