Mark Richardson, Phil Reynolds's ' "Computer Logic" was released on its scheduled release date, May 3, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 11 in Frantic Residents 01: Mixed By Phil Reynolds by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Computer Logic's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Computer Logic by Mark Richardson, Phil Reynolds is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Elijah, Op. 70, MWV A25 / Part 1: "As God the Lord of Sabaoth liveth" | Felix Mendelssohn, Bryn Terfel, John Bowen, Edinburgh Festival Chorus, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | F Major | 1 | 7B | 108 BPM | ||
| The Mikado / Act 1: 15. The threaten'd cloud has pass'd away | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 3 | 5B | 115 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | ||
| Other Worlds - Tekno Mix | Mark Richardson | B♭ Major | 8 | 6B | 132 BPM | ||
| The Lord is My Shepherd | Howard Goodall, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth, London Voices, Terry Edwards | F Major | 2 | 7B | 102 BPM | ||
| The Easter Hymn | Treorchy Male Voice Choir | G Major | 1 | 9B | 83 BPM | ||
| Marta's Serenade | The Shabadabas | D♭ Minor | 0 | 12A | 61 BPM | ||
| Elijah, Op. 70, MWV A25 / Part 2: "Oh rest in the Lord, wait patiently for Him" | Felix Mendelssohn, Patricia Bardon, Stephen Doughty, Orchestra of the Age of Enlightenment, Paul Daniel | D♭ Minor | 1 | 12A | 124 BPM | ||
| Computer Logic | Mark Richardson, Phil Reynolds | D♭ Major | 10 | 3B | 142 BPM | ||
| H.M.S. Pinafore, Act I: Overture | Gilbert & Sullivan Society of Houston | E♭ Major | 4 | 5B | 140 BPM | ||
| Wagner: Lohengrin, Act 2: "Des Königs Wort und Will' tu ich euch kund" (Herald, Frederick, Chorus) | Richard Wagner, Daniel Barenboim, Chor der Deutschen Staatsoper Berlin, Falk Struckmann, Roman Trekel, Staatskapelle Berlin | D Major | 3 | 10B | 93 BPM | ||
| Christ Be Our Light | Radley College | A Major | 3 | 11B | 72 BPM | ||
| Cwm Rhondda / Guide Me, O Thou Great Jehovah | John Hughes, Bryn Terfel, Welsh National Opera Orchestra, Gareth Jones, The Black Mountain Choir, The Risca Choir | A♭ Major | 3 | 4B | 80 BPM | ||
| Les pêcheurs de perles, WD 13 / Act 1: "Au fond du temple saint" | Georges Bizet, René Bianco, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | E♭ Major | 3 | 5B | 66 BPM | ||
| For Charlie | Catholic Expat | D♭ Minor | 0 | 12A | 61 BPM | ||
| Iolanthe or The Peer and The Peri: Overture | Arthur Sullivan, The New Symphony Orchestra Of London, Isidore Godfrey | G Major | 2 | 9B | 127 BPM | ||
| The Sorcerer / Act 1: My name is John Wellington Wells | Arthur Sullivan, John Reed, Royal Philharmonic Orchestra, Isidore Godfrey | E♭ Major | 3 | 5B | 135 BPM | ||
| Wagner: Lohengrin, Act 1: "Seht hin! Sie naht, die hart Beklagte!" (Chor, König Heinrich, Elsa) | Richard Wagner, Herbert von Karajan, Berliner Philharmoniker, Anna Tomowa-Sintow, Chor der Deutschen Oper Berlin, Karl Ridderbusch | D♭ Minor | 0 | 12A | 61 BPM | ||
| Rossini: Petite messe solennelle: VIII. Cum Sancto Spiritu | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 112 BPM | ||
| H.M.S. Pinafore / Act 1: Sir, you are sad | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, Jeffrey Skitch, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 170 BPM | ||
| Menace | Mark Richardson | A♭ Minor | 10 | 1A | 145 BPM | ||
| Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
| The Dream of Gerontius, Op. 38, Pt.1: I can no more | Edward Elgar, Paul Groves, Sir Mark Elder, Hallé | D♭ Minor | 1 | 12A | 169 BPM | ||
| Candide / Act I: 8. Dear Boy | Leonard Bernstein, Adolph Green, London Symphony Orchestra, London Symphony Chorus | F Major | 1 | 7B | 133 BPM | ||
| For he's gone and married Yum-Yum | Arthur Sullivan, Valerie Masterson, Pauline Wales, Peggy Ann Jones, Colin Wright, John Reed, Kenneth Sandford, Michael Rayner, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash | E♭ Major | 4 | 5B | 112 BPM |