Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore's ' "Aegyptisches Liebeslied" was released on its scheduled release date, August 1, 1996. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Rütti: Verena, die Quelle". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Aegyptisches Liebeslied is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Aegyptisches Liebeslied by Carl Rütti, Cambridge Voices And Instrumental Ensemble, Ian Moore having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| William Byrd - Gloria | Quire of Voyces | F Minor | 3 | 4A | 84 BPM | ||
| Three carols: I. I wonder as I wander | Carl Rütti, Christopher Duarte | D Minor | 1 | 7A | 45 BPM | ||
| Stanford: Magnificat In A | Manchester Cathedral Choir, Jeffrey Makinson | A Major | 1 | 11B | 48 BPM | ||
| Petite Symphonie Concertante: Adagio | Frank Martin, Chantal Mathieu, Verena Graf, Carl Rütti, Edmond De Stoutz, Zürcher Kammerorchester | C Major | 2 | 8B | 113 BPM | ||
| O Radiant Dawn | James MacMillan, St Salvator's Chapel Choir, Tom Wilkinson | C Minor | 1 | 5A | 164 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| The Dream of Gerontius, Op. 38, Part II: No. 10, Praise to the Holiest in the height (Choir of Angelicals) | Edward Elgar, Edward Gardner, London Philharmonic Orchestra, Allan Clayton, Jamie Barton, London Philharmonic Choir | D Major | 2 | 10B | 86 BPM | ||
| King David (Arr. Farrington for Mixed Choir & Piano) | Herbert Howells, IKON, David Hill, Iain Farrington | G Major | 1 | 9B | 128 BPM | ||
| Missa si Deus pro nobis, a 16 voci: VIII. Agnus Dei | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | A Minor | 1 | 8A | 87 BPM | ||
| When Breathing like a Bird | Gittan Glans, Allmänna Sången, Maria Goundorina | D Major | 2 | 10B | 120 BPM | ||
| Tantum ergo, WAB 32 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | D Major | 1 | 10B | 86 BPM | ||
| Prayer of Peace | Mary McDonald, Dan Forrest, Craig Courtney, Beckenhorst Singers, Beckenhorst Orchestra | A Major | 1 | 11B | 70 BPM | ||
| Alleluia jubilate | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | A Minor | 1 | 8A | 160 BPM | ||
| Nacht und Träume, D. 827 (Transcr. Gottwald for Choir) | Franz Schubert, Kammerchor Stuttgart, Frieder Bernius | G Minor | 1 | 6A | 106 BPM | ||
| Reincarnations, Op. 16: III. The Coolin' | Samuel Barber, Polyphony, Stephen Layton | G Minor | 1 | 6A | 83 BPM | ||
| The Strife Is O’er | Basilica of the National Shrine of the Immaculate Conception Choir | D Major | 2 | 10B | 83 BPM | ||
| Suite für Hornvieh, Op. 110: Tanz der Ochsen | Matthias Kofmehl, Carl Rütti, Hans-Jürg Sommer | B Major | 0 | 1B | 134 BPM | ||
| Psalm 34 | Anon, Salisbury Cathedral Choir, Simon Lole | A♭ Major | 1 | 4B | 90 BPM | ||
| King of Glory, King of Peace | David Charles Walker, Beverly Hills All Saints' Church Choir, Craig Phillips, Thomas Foster | E♭ Major | 1 | 5B | 98 BPM | ||
| Concerto for Organ, Strings and Percussion: III. Amsel - Scherzino | Carl Rütti, Martin Heini, Mario Schubiger, Rainer Held, The State Philharmonic Chamber Orchestra of Novosibirsk | C Major | 0 | 8B | 58 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| 2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 84 BPM | ||
| He carried me away in the spirit | James Whitbourn, Commotio, Matthew Berry | D♭ Minor | 0 | 12A | 70 BPM | ||
| Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | B♭ Minor | 2 | 3A | 73 BPM |