Bernhard Baumgartner, Richard Tauber, Orchester der Wiener Staatsoper, Josef Krips's 'Rossini in Neapel: La Danza' had a release date set for October 7, 2014. The duration of This song is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Rossini in Neapel: La Danza's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "The Richard Tauber Collection, Vol. 26: Various Operetta & Film Scenes". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Rossini in Neapel: La Danza is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rossini in Neapel: La Danza by Bernhard Baumgartner, Richard Tauber, Orchester der Wiener Staatsoper, Josef Krips having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Si, Mi Chiamano Mimì - La Boheme Atto I | Renata Tebaldi | C Major | 2 | 8B | 130 BPM | ||
| Szép vagy Gyönyörű vagy Magyarország | Kalmár Pál | F Major | 3 | 7B | 72 BPM | ||
| Un bel di vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 130 BPM | ||
| Nel cor piu non mi sento | Giovanni Paisiello, Ramón Vargas | F Major | 1 | 7B | 129 BPM | ||
| Faust, CG 4 / Act 3: "Quel trouble inconnu... Salut! Demeure chaste et pure" | Charles Gounod, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 2 | 4B | 80 BPM | ||
| Les contes d'Hoffmann: Act II: Barcarolle: Belle nuit | Jacques Offenbach, Anton Guadagno, Montserrat Caballé, Shirley Verrett, New Philharmonia Orchestra | D Major | 2 | 10B | 66 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?" - "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Gunter Emmerlich, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
| Mattinata | Ruggero Leoncavallo, KIM HOJOONG | E♭ Major | 3 | 5B | 150 BPM | ||
| La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
| Akerra IKusi Degu | Coro De Camara Del Orfeon Donostiarra | C Major | 2 | 8B | 116 BPM | ||
| Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
| Pagliaci - Vesti La Giubba | Plácido Domingo | B♭ Major | 2 | 6B | 96 BPM | ||
| Thine Alone | Kathryn Grayson | B Minor | 2 | 10A | 89 BPM | ||
| Rule, Britannia! (Arr. Malcolm Sargent) | Thomas Arne, Sir Malcolm Sargent, James Thomson, Nicole Car, Tasmanian Symphony Orchestra, Marc Taddei | C Major | 2 | 8B | 130 BPM | ||
| Nabucco: Slave Chorus | London Festival Orchestra | F♯ Major | 2 | 2B | 102 BPM | ||
| Santa lucia/サンタ・ルチア | 今井俊輔 | C Major | 2 | 8B | 130 BPM | ||
| Mamma | Leo Nucci, Salotto Ottocento Ensemble | F Minor | 3 | 4A | 77 BPM | ||
| Don Pasquale, Act II Quarta Scena: Fra da un parte etcetera (Malatesta/Notaro/Pasquale) | Gaetano Donizetti, Leo Nucci/Guido Fabbris/Sesto Bruscantini/Philharmonia Orchestra/Riccardo Muti, Riccardo Muti, Philharmonia Orchestra | G Major | 2 | 9B | 86 BPM | ||
| Rusalka, Op. 114, B. 203 / Act 1: "Mesicku na nebi hlubokém" | Antonín Dvořák, Pilar Lorengar, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Patanè | F♯ Major | 1 | 2B | 100 BPM | ||
| Sibelius: King Christian II, Incidental Music, Op. 27: IV. Fool's Song of the Spider | Jaakko Ryhänen | F♯ Major | 2 | 2B | 93 BPM | ||
| Erinnerung an Sorrent | Rudolf Schock | C Major | 4 | 8B | 84 BPM | ||
| Bizet: Carmen, Act 1: "Reste là, maintenant, pendant que je lirai" (José, Micaela) | Georges Bizet, Nicolai Gedda/Andréa Guiot/Orchestre de l'Opéra National de Paris/Georges Prêtre, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E Major | 1 | 12B | 98 BPM | ||
| Rossini: Stabat Mater: II. Cujus animam gementem | Gioachino Rossini, Antonio Pappano, Lawrence Brownlee, Orchestra dell'Accademia Nazionale di Santa Cecilia | D Minor | 0 | 7A | 106 BPM | ||
| Martha: M'apparì | Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Stefano Secco | F Major | 3 | 7B | 81 BPM | ||
| Delibes: Lakmé, Act 2: Aria delle campanelle. "Dov'è l'indiana bruna?" (Lakmé) | Léo Delibes, Maria Callas, Tullio Serafin, Philharmonia Orchestra | E Minor | 1 | 9A | 173 BPM |