Elmer Bernstein's 'I Respect You' had a release date set for June 7, 2019. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Elmer Bernstein's "Ghostbusters (Original Motion Picture Score)" album is number 17 out of 37. On top of that, United States appears to be the country where this track was created. The popularity of I Respect You is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I Respect You by Elmer Bernstein to be Vivace (lively and fast) because the track has a tempo of 175 BPM, a half-time of 88BPM, and a double-time of 350 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Comeback | Franz Waxman | F Major | 2 | 7B | 168 BPM | ||
| The Magnificent Seven - Suite | Elmer Bernstein | F Major | 5 | 7B | 108 BPM | ||
| Theme (From "The Pink Panther") | Royal Liverpool Philharmonic Orchestra, Carl Davis | F Major | 2 | 7B | 118 BPM | ||
| Barnaby Jones | Daniel Caine Orchestra | F Major | 5 | 7B | 128 BPM | ||
| Come Share My Life | Alfred Newman, MGM Studio Orchestra | E Major | 1 | 12B | 83 BPM | ||
| Thunderbird 4 | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| Multi-Music Canada for Orchestra: IV. Anglophonos - Live | Maya Badian, Gheorghe Mustea, National Symphony Orchestra of Teleradio-Moldova | E♭ Minor | 0 | 2A | 67 BPM | ||
| Flying Messenger | Oliver Armstrong | D Minor | 0 | 7A | 144 BPM | ||
| Theme from Dr Strangelove | The Laurie Johnson Orchestra | D Major | 4 | 10B | 92 BPM | ||
| Stagecoach - Main Theme | Richard Hageman | B♭ Major | 5 | 6B | 107 BPM | ||
| Shakespeare In Love: End Credits - From "Shakespeare In Love" | Stephen Warbeck | F♯ Major | 1 | 2B | 120 BPM | ||
| Star Trek: Deep Space Nine: Main Title - From "Star Trek: Deep Space Nine" | Dennis McCarthy | C Major | 0 | 8B | 125 BPM | ||
| Father Brown (From "Father Brown") | Debbie Wiseman, The Orchestra of the Guildhall School | G Minor | 2 | 6A | 116 BPM | ||
| Fireflash Landing | Barry Gray | D Major | 8 | 10B | 124 BPM | ||
| "Prepare for Take Off" (Amazing Grace) | George Fenton | C Major | 2 | 8B | 101 BPM | ||
| High Noon - Theme | Dimitri Tiomkin | E♭ Major | 1 | 5B | 136 BPM | ||
| End Credits | Elmer Bernstein | D Major | 3 | 10B | 87 BPM | ||
| Anthem, Pt. 2 | Philip Glass | D Major | 1 | 10B | 100 BPM | ||
| Western Theme (From "Love Is a Funny Thing") | Francis Lai Orchestra, Francis Lai | B♭ Minor | 2 | 3A | 94 BPM | ||
| Funeral / Exit | Mario Nascimbene, Mario Nascimbene Studio Orchestra | F Major | 2 | 7B | 69 BPM | ||
| Main Title (From "Rebel Without a Cause") | Leonard Rosenman | E Minor | 1 | 9A | 76 BPM | ||
| Back To The Future - Original Score/End Credits | The Outatime Orchestra | F Major | 2 | 7B | 111 BPM | ||
| Two Mules for Sister Sara | The Alan Peters Orchestra And Chorus | D Minor | 2 | 7A | 203 BPM | ||
| Main Title | Elmer Bernstein | A Major | 0 | 11B | 78 BPM | ||
| C'era Una Volta In Italia, La Patria | Luciano Lombardi | B♭ Major | 1 | 6B | 101 BPM |