"4 Rhythmical Pieces: No. 2, Quarter Note = 63" by Lars Hegaard, Jesper Sivebæk had its release date on March 19, 2021. The duration of This song is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. 4 Rhythmical Pieces: No. 2, Quarter Note = 63's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 24 in the song's album "Octagonal Room". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Denmark. Based on our statistics, 4 Rhythmical Pieces: No. 2, Quarter Note = 63's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Rhythmical Pieces: No. 2, Quarter Note = 63 by Lars Hegaard, Jesper Sivebæk having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Lark (arr. for Harp) | Mikhail Glinka, Se Hee Hwang | D♭ Major | 1 | 3B | 69 BPM | ||
| Sancan: Sonatine for Flute and Piano: I. Moderato | Pierre Sancan, Eric Le Sage | E Minor | 1 | 9A | 60 BPM | ||
| Dans l'antre du roi de la montagne | Natalie Dessay, Ensemble Agora | B Minor | 1 | 10A | 117 BPM | ||
| Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) | Nadia Boulanger, WindSync | F Minor | 0 | 4A | 70 BPM | ||
| プレリュード | YOSHIHIRO KANNO | G Major | 0 | 9B | 70 BPM | ||
| Crisantemi | Brodsky Quartet | F♯ Minor | 0 | 11A | 75 BPM | ||
| Runner: V. Sixteenths | Steve Reich, Los Angeles Philharmonic, Susanna Mälkki | A♭ Major | 2 | 4B | 99 BPM | ||
| Rhapsody No. 1, BB 94a: Prima Parte 'Lassu': Moderato | Béla Bartók, György Pauk, Jenő Jandó | D Minor | 0 | 7A | 101 BPM | ||
| Pärt: Fratres (1980 Version for Violin and Piano) | Arvo Pärt, Tasmin Little, Martin Roscoe | D Major | 0 | 10B | 63 BPM | ||
| Iridescence | Jörgen Dafgård, Anders Paulsson | D Major | 1 | 10B | 80 BPM | ||
| Suite in Jazz Style: I. Talk | Dobrinka Tabakova, Maxim Rysanov, Dasol Kim | G Minor | 2 | 6A | 87 BPM | ||
| Circle Dance of the Evernight Castle | Yu-Peng Chen, London Philharmonic Orchestra, Robert Ziegler | D Major | 0 | 10B | 78 BPM | ||
| Scaramouche, Op. 165d: I. Vif | Darius Milhaud, Sebastian Manz, Martin Klett | C Major | 2 | 8B | 132 BPM | ||
| String Quartet No. 8 In C Minor, Op. 110: IV. Largo | Dmitri Shostakovich, Borodin Quartet | G Major | 0 | 9B | 138 BPM | ||
| Three Outdoor Scenes: Hallowe'en | Charles Ives, Orchestre Symphonique de Montréal, Kent Nagano | B Minor | 2 | 10A | 89 BPM | ||
| The 4 Winds: III. West | Lars Hegaard, Danish Chamber Players, Henrik Vagn Christensen | E Major | 0 | 12B | 137 BPM | ||
| Violin and piano Sonata No. 1, Op. 7: I. Melancholy - Andante Mysterioso | Fazıl Say, Julija Hartig, Reineke Broekhans | F Minor | 0 | 4A | 70 BPM | ||
| Trois Pièces pour Violoncelle et Piano: No. 1 Moderato | Nadia Boulanger, Isang Enders, Sun-Wook Kim | E♭ Minor | 0 | 2A | 113 BPM | ||
| Taktakishvili: Sonata: Aria: Moderato con moto | Otar Taktakishvili, Brian Luce, Rex Woods | D Minor | 1 | 7A | 95 BPM | ||
| Quartet for the End of Time | Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock | F♯ Major | 1 | 2B | 103 BPM | ||
| Toccata capricciosa, Op. 36 | Miklós Rózsa, Mark Kosower | C Major | 1 | 8B | 87 BPM | ||
| Sextet for Wind Quintet & Piano, FP 100: I. Allegro vivace: Tres vite et emporte | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | A Minor | 1 | 8A | 140 BPM | ||
| Gypsies Lilt | The Royal Wind Music | D♭ Minor | 0 | 12A | 114 BPM | ||
| Elegie Op 47, No. 5 | Academy Of St. Christopher Orchestra | D Minor | 0 | 7A | 99 BPM | ||
| The Red Violin Caprices: Theme | John Corigliano, Philippe Quint | A Minor | 0 | 8A | 0 BPM |